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32 Cards in this Set
- Front
- Back
Syllogism |
A three-part logical argument: a major premise, a minor premise, and a conclusion. |
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Either-or Argument |
Logical fallacy that occurs when the speaker limits the audience to two diametrically opposed choices, creating a false dilemma. |
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Transcendentalism |
19th century utopian intellectual movement that stressed individualism and man's essential goodness as well as a belief in the natural unity of the universe that lay outside the corrupting institutions of society. |
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Ad Hominem Argument |
Ethical fallacy that involves criticizing the person making the argument, rather than the argument itself. |
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Enthymeme |
When writers or speakers leave out one of the premises in their arguments, a common rhetorical practice. The resulting form of argument is one in which one of the premises remains unstated. |
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Non Sequitur |
Logical fallacy in which the conclusion does not follow logically from the premise. |
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Strawman Argument |
Logical fallacy that occurs when the speaker deliberately oversimplifies or caricatures the opponent's position in order to weaken it for purposes of winning the debate. |
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Ethos |
Rhetorical appeal to the shared beliefs and values of the audience as well as the rhetor's moral standing and persona. |
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Deductive Reasoning |
A type of logical argument that argues from the general premise to the specific instance, taking a top-down approach. |
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Pathos |
Rhetorical appeal to the audience's emotions. |
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Inductive Reasoning |
Logical argument that considers individual, specific cases first and then infers the general principle that governs them: a bottom-up approach. |
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Logos |
Rhetorical appeal to reason. |
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Romance |
Literary genre marked by and intricate plot, hidden identities, separated lovers, and chance-often supernatural-events. |
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Allegory |
Narrative in prose or verse that operates on two levels simultaneously-the literal and the figurative-and often dramatizes abstract and moral concepts. |
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Allusion |
Passing reference in a literary work to something outside the work that the author expects the reader to recognize, such as another work, a biblical figure, or historical event. |
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Bandwagon Appeal |
Emotional fallacy in which the speaker attempts to persuade the audience dishonestly by playing on the human desire to fit in. |
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Rhetoric |
The art of persuasion. |
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Gothic Romance |
Type of fiction that develops an atmosphere of gloom and terror, featuring suffering innocent heroines, sensation and supernatural occurrences, and castles or houses with subterranean passages. |
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Diction |
Writer or speaker's choice of language. |
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Tone |
Author's attitude towards his or her subject matter, conveyed through selection of diction and detail. |
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Euphemism |
Use of a palliative or soothing word or phrase to discuss something unpleasant |
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Periodic Sentence |
Basic sentence that adds details before the major sentence elements-the subject, verb, and complement are delayed |
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Loose (Cumulative) Sentence |
Basic sentence that adds details immediately after the basic sentence elements-subject, verb, and complement. |
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Jargon |
Specialized language of a specific group, such as medical terminology or bureaucratese. |
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Hyperbole |
Trope: the use of overstatement |
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Catalogue |
Traditional epic device consisting of a long rhetorical list of inventory. |
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Chiasmus/Antimetabole |
Repetition of grammatical structures and ideas, often of exact words, in successive clause in inverted order (a sentence pattern ABBA) |
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Antithesis |
Juxtaposition of contrasting ideas in parallel structure. |
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Anaphora |
Repetition of same word or group of words at the beginning of successive clauses or phrases. |
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Climbing the Ladder |
Rhetorical scheme involving climax and anadiplosis together. |
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Synecdoche |
Trope: The substitution of the part for the whole or the whole to the part. |
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Metonymy |
Trope: a reference to something or someone by way of its attributes or by something with which it is commonly associated. |