Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
39 Cards in this Set
- Front
- Back
Loose sentence
|
A type of sentence in which the main idea (independent clause) comes first, followed by dependent grammatical units such as phrases and clauses.
|
|
Metaphor
|
A comparison of two things without using like or as.
|
|
Metonymy
|
A figure of speech in which the name of one object is substituted for that of another closely associated with it.
|
|
Mood
|
The prevailing atmosphere or emotional aura of a work.
|
|
Narrative
|
The telling of a story or an account of an event or series of events.
|
|
Onomatopoeia
|
Natural sounds imitated in sounds of words.
|
|
Oxymoron
|
Grouping of apparently contradictory terms.
|
|
Paradox
|
A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity.
|
|
Parallelism
|
Grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity.
|
|
Parody
|
A work that closely imitates the style or content of another with the specific aim of comic effect and/ or ridicule.
|
|
Pedantic
|
An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish.
|
|
Periodic sentence
|
A sentence that presents its central meaning in a main clause at the end.
|
|
Personification
|
Describing concepts, animals, or inanimate objects by endowing them with human attributes or emotions.
|
|
Point of view
|
The perspective from which a story is told.
|
|
Predicate adjective
|
One type of subject compliment--an adjective, group of adjectives, or adjective clause that follows a linking verb.
|
|
Predicate nominative
|
A second type of subject complement--a noun, group of nouns, or noun clause that renames the subject.
|
|
Prose
|
One of the major divisions of genre, refers to fiction and nonfiction, including all its forms.
|
|
Repetition
|
The duplication, either exact or approximate, of any element of language, such as a sound, word, phrase, clause, sentence, or grammatical pattern.
|
|
Rhetor
|
The speaker who uses elements of rhetoric effectively in oral or written test.
|
|
Rhetorical Modes
|
This flexible term describes the variety, the conventions, and the purposes of the major kinds of writing.
|
|
Sarcasm
|
Bitter, caustic language that is meant to hurt or ridicule someone or something.
|
|
Satire
|
A work that target human vices and follies or social institutions and conventions for reform or ridicule.
|
|
Semantics
|
The branch of linguistics that studies the meaning of words, their historical and psychological development, their connotations, and their relation to one another.
|
|
Style
|
An evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices.
|
|
Subject complement
|
The word (with any accompanying or clauses that follows a linking verb and complements, or completes, the subject of the sentence by either (1) renaming it or (2) describing it.
|
|
Subordinate clause
|
Word group contains both subject and verb but unlike an independent cause cannot stand alone; it does not express a complete thought.
|
|
Syllogism
|
A deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion.
|
|
Symbol
|
Anything that represents itself and stands for something else.
|
|
Syntax
|
The way an author chooses to join words into phrases, clauses, and sentences.
|
|
Theme
|
The central idea or message of a work, the insight it offers into life
|
|
Thesis
|
The sentence or group of sentences that directly expresses the author's opinion, purpose, meaning, or position.
|
|
Tone
|
Describes the author's attitude toward his material, the audience, or both.
|
|
Transition
|
A word or phrase that links different ideas.
|
|
Trope
|
An artful variation from expected modes of expression of thoughts and ideas; a figure of speech involving a "turn" or change of sense--a use of the word in a sense other than its proper or literal one.
|
|
Understatement
|
The ironic minimizing of fact; presents something as less significant than it is.
|
|
Undertone
|
An attitude that may lie under the ostensible tone of the piece.
|
|
Unreliable narrator
|
An untrustworthy or naive commentator on events and characteristics in a story.
|
|
Wit
|
Intellectually amusing language that surprises and delights.
|
|
Zeugma
|
A trope, one word (usually a noun or main verb) governs two other words not related in meaning. "He maintained a business and his innocence."
|