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22 Cards in this Set
- Front
- Back
#26 |
T: Athenian agora A: Unknown D: 600 B.C.E.-150 C.E. M/T: Plan P/S: Ancient Greek OL: Archaic through Helen's Helenistic Greek P: N/A F: To be a place for people to gather DT: Symmetrical, Addative, Trilithon, Helenistic C: The center of athletic, artistic, spiritual and political life of the city, where Athenian democracy thrived and where the citizens of the Athens were able to take part in daily religious and civic duties |
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#27 |
T: Anavysos Kouros A: Unknown D: c. 530 B.C.E. M/T: Marble with remnants of paint P/S: Archaic Greek OL: Unknown P: Unknown F: Unknown DT: carving, realism C: Grave marker, offerings to God's, etc. |
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#28 |
T: Peplos Kore from the Acropolis A: Unknown D: c. 530 B.C.E. M/T: Marble, painted P/S: Archaic Greece OL: Greece P: N/A F: Representation of a young woman used to mark graves or, more often, as votive offerings to the gods DT: Naturalism, Shamanism, Addative, Helenistic, C: The word kore means 'young woman' or 'girl' in ancient Greek |
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#29 |
T: Sarcophagus of the Spouses A: Unknown D: c. 520 B.C.E. M/T: Terra Cotta P/S: Etruscan OL: Unknown P: N/A F: To contain cremated human remains DT: Realism, Stylized C:The Sarcophagus of the Spouses has been interpreted as belonging to a banqueting scene, with the couple reclining together on a single dining couch while eating and drinking |
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#30 |
T: Audience Hall (apadana) of Darius and Xeres A: Unknown D: c. 520-465 M/T: Limestone P/S: Persian OL: Persepolis, Iran P: Persepolis F: Made for receptions by the Kings DT: Addative, Composite View, Abstraction, Stylized C: On this place, the great king received the tribute from all the nations in the Achaemenid Empire, and gave presents in return |
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#31 |
T: Temple of Minerva and sculpture of Apollo A: Vulca D: c. 510-500 B.C.E. M/T: Original temple of wood, mud brick, or tufa (volcanic rock); Terra cotta sculpture P/S: Ancient Greece OL: Veii, near Rome, Italy P: N/A F: Monumental structure for the gods DT: Realism, Wet drapery, contrapasto C: These figures seem to be Etruscan assimilations of Greek gods, set up as a tableau to enact some mythic event |
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#32 |
T: Tomb of the Triclinium A: Unknown D: c. 480-470 B.C.E. M/T: Tufa and fresco P/S: Etruscan OL: Tarquinia, Italy P: Unknown F: Intended to contain not only the remains of the deceased but also various grave goods or offerings deposited along with the deceased DT: Abstract, Stylized, Polychrome, Composite View C: The city of Tarquinia one of the most powerful and prominent Etruscan centers, is known for its painted chamber tombs |
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#33 |
T: Niobides Krater A: Niobid Painter D: c. 460-450 B.C.E. M/T: Clay, red-figure technique (white highlights) P/S: Ancient Greece OL: Unknown P: N/A F: Unknown DT: Stylized, Abstraction, Geometric, Composite View C: Two scenes in which the many figures rise in tiers on lines of ground that evoke an undulating landscape |
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#34 |
T: Doryphoros (Spear Bearer) A: Unknown D: 450-440 B.C.E. M/T: Polykleitos P/S: Ancient Greek OL: Doryphoros P: N/A F: Symbolized a desirable way of life of leisure, the arts, luxury and learning DT: Iconography, Naturalism, Realism C: The Doryphoros was one of the most sought after, and most copied, Greek sculptures |
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#35 |
T: Acropolis A: Iktinos and Kallikrates D: c. 447-410 B.C.E. M/T: Marble P/S: Ancient Greece OL: Athens, Greece P: Perikles F: honor goddess Athena DT: carving, building, C: honor goddess, markets/trade, |
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#36 |
T: Grave Stele of Hegeso A: Unknown D: c. 410 B.C.E. M/T: Marble and paint P/S: Ancient Greek OL: Attributed to Kallimachos P: N/A F: DT: Iconography, Realism, Abstraction C: |
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#37 |
T: Winged Victory of Samothrace A: Unknown D: c. 190 B.C.E. M/T: Marble P/S: Hellenistic Greek OL: Unknown P: Unknown F: Unknown DT: Wet drapery, contrapasto, C: honor goddess, show her beauty/grace, |
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#38 |
T: Great Altar of Zeus and Athena at Pergamon A: Unknown D: c. 175 B.C.E. M/T: Marble (archetecture and sculpture) P/S: Ancient Greek OL: Asia Minor (present-day Turkey) P: N/A F: DT: Realism, Stylized, Subtractive, High Relief C: |
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#39 |
T: House of Vetti A: Unknown D: c. Second century B.C.E. rebuilt c. 62-79 C.E. M/T: Cut stone and frescos P/S: Imperial Roman OL: Pompeii, Italy P: F: DT: Trilithon, Stylized C: |
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#40 |
T: Alexander Mosaic from the House of the Faun A: Unknown D: c. 100 B.C.E M/T: Mosaic P/S: Republican Roman OL: Pompeii P: N/A F: DT: Realism, Naturalism, Stylized C: |
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#41 |
T: Seated Boxer A: Unknown D: c. 100 B.C.E. M/T: Bronze P/S: Hellenistic Greek OL: Unknown P: Unknown F: Unknown DT: Realism, contrapasto, C: Emotion, Life, |
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#42 |
T: Head of a Roman Patrician A: Unknown D: c. 75-50 B.C.E. M/T: Marble P/S: Republican Rome OL: Rome, Italy P: N/A F: DT: Realism, Stylized, Naturalism, Iconography C: |
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#43 |
T: Augustus of Prima Porta A: Unknown D: Early first century C.E. M/T: Marble P/S: Imperial Roman OL: Unknown P: F: DT: Wet Drapery, Realism, Naturalism, Iconography C: |
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#44 |
T: Colosseum (Flavian Amphitheater) A: Unknown D: 70-80 C.E. M/T: Stone and concrete P/S: Imperial Roman OL: Rome, Italy P: N/A F: DT: Trilithon, Archetecture C: |
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#45 |
T: Forum of Trajan A: Apollodorus of Damascus D: Forum and Markets: 106-112 C.E.; Column completed: 113 C.E. M/T: Brick and Concrete (architecture); Marble (column) P/S: Ancient Greece OL: Rome, Italy P: F: DT: Archetecture C: |
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#46 |
T: Pantheon A: Unknown D: 118-125 C.E. M/T: Concrete with stone facing P/S: Imperial Roman OL: Rome P: N/A F: DT: Trilithon, Archetecture C: |
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#47 |
T: Ludovisi Battle Sarcophagus A: Unknown D: c. 250 C.E. M/T: Marble P/S: Late Imperial Roman OL: Unknown P: F: DT: Scattered, War, High Relief C: |
