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23 Cards in this Set
- Front
- Back
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Allemande
1.Meter 2.Tempo +Character |
1. Duple
2. Moderate;sombre,stately |
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Courante
1.Meter 2.Tempo+Character |
1. Triple
2. Moderate fast;corrente faster |
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Sarabande
1.Meter 2.Tempo+Character |
1. Triple
2. Slow; stately |
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Gigue
1.Meter 2.Tempo+Character |
1. Compound duple
2. fast and vivacious |
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Bourree
1.Meter 2.Tempo+Character |
1. Duple
2. Lively |
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Gavotte
1.Meter 2.Tempo+Character |
1. Duple
2. Moderately fast |
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Minuet
1.Meter 2.Tempo+Character |
1. Triple
2. Moderate;stately |
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Passepied
1.Meter 2.Tempo+Character |
1. Triple
2. Lively |
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Cavatina
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The slow part of the composite binary form.
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Cabaletta
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The fast part of the composite binary form.
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Sonata Rondo
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Episode 2 takes on aspect of a development section. C section reclass material from A and B (rather then new which would be sonata form)
DESIGN: |
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Retransition
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A passages whos function it is to lead to a restatement.
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Transition
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(aka bridge) Serves to connect two parts of a composition. Prepares listener for new part.
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Rondeau
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No use of transition to connect couplet with the refrian. As a result it is a chain of self-contained units following each other in sequence.
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Da Capo Aria
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DESIGN:
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Instrumental Composite Ternary Form
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DESIGN:
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Passacaglia
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standard bass pattern of moderately slow tempo in triple meter. A variation of ostinato harmonies.
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Chaconne
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Standard bass pattern of moderately slow tempo in triple meter. Different then passacalia because of "sarabande rhythm".
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Double Variation
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Variations in which the repetition of each part is itself varied.
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Quodlibet
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A piece which combines various tunes or fragments of tunes.
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Double
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New ornaments in the melody, the second version. Synonym for variation.
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Basso ostinato
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constantly repeating bass melody aka ground bass
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Codetta vs. Coda
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Coda is an appended section at the end of a composition or movement, whereas when a part w/in the movement has a "tailpiece" it is called a codetta.
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