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8 Cards in this Set
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- Back
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Annibale Carracci, 1585 Fishing calls attention to class distinctions (look for sight lines of figures) nobility of viewing and possible assertion of justified dominion atmospheric perspective -bluer/purple farther away not linear perspective like something without architecture |
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Annibale Carracci, 1585
Hunting calls attention to class distinctions (look for sight lines of figures) nobility of viewing and possible assertion of justified dominion looking, walking, and talking about painting is a physical exercise |
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Domenichino, 1621-23 Landscape with Boatmen, Fisherman and the Flight into Egypt Winding motion of water propels viewer toward back Effect of motion with brushstrokes in the water can be lateral Biblical subject is thematically about repose (visual analogy to phys and mental renewal in nature and in viewing painting) being literal about rigorous process of viewing the details and looking was seen as creating an etching of details which was then impressed on the brain - combining physical and mental exercise |
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Domenichino (student of Carracci's school) Landscape with Figures Crossing a Body of Water of ca. 1604–05chromatic distinction between zones decreasing chromatic intensity towards back this was supposed to suggest repose at the end of journey through painting/travel. |
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Domenichino, 1634-35 Landscape with Fortifications Creation of 3 distinct zones making a claim for engaged viewing Pointing fingers show the way to different levels Tensions in the picture gallery, stay st this one or walk onward gestures of women point young man in the right direction away from details of fish to the mid ground |
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Domenichino. Landscape with Laundresses, ca. 1603–05. Foreground was for concentrated vieweing Fascination from Carracci with jug of wine, the dab of color in a rather drab color scheme |
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Jacob van Ruisdael Windmill at wijk bij Durstede 1668-70 Subject in the landscape- meaning is harmony and money/wealth - windmill is a symbol of that It rejects some Italian classicising stuff feature windmill like it is the subject not outside |
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Jacob van Ruisdael View of Haarlem with Bleaching Fields devotion pushed back and prosperity featured more prominently not outside does feature an artist in miniature sketching (self portrait) incorporating outdoor sketches to create unified landscape illusion of spontaneity |
