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21 Cards in this Set

  • Front
  • Back

objective

the want


we do not talk or move without motivation

obstacle

the thing that stands in the way of the objective




without a conflict, there is no show

tactic

how you get around the obstacle




variety

beats

changes in intention, unit of action




real, honest, everywhere in life

stakes

degree to which we want to find our objective




LIFE/DEATH

risk

shoe exercise




makes it interesting

view points

External approach to acting




tempo, shape, repetition, kinesthetic response, architecture

Ann Bogart

view points




director who search for an easier way to teach acting to nontrained people

Stanislavski

Russian theatre director and theorist




internal approach to acting




magic if, emotional recall, through line of action, affect your partner, given circumstances

Uta Hagen

-actor and director


-updated and simplified Stanislavski in terms for actors


-find yourself in the character


-the moment before


-endowment


-telephone exercise

the moment before

respond to what happens before the scene technically starts

magic if

imagination


how would you respond within the given circumstances

emotional recall

-be emotionally aware of yourself


-remember how you felt in similar situations


-break down situations and emotions to their root and connect

affect your partner

-your objective is to get something from somebody


-make them respond and feel

given circumstances

who?


what?


when?


where?


why?

Viola Spolin

improvisation


offer and response


"yes and"

offer and response

adding information like rungs of a ladder

"yes and"

agree. always.


do not argue


accept the premise you are given by your partner


trust

mind's eye

what you picture in your head




really see it

expectation

determines how you react to a particular stimuli

object of attention

stage business


what you do when you aren't doing anything