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26 Cards in this Set

  • Front
  • Back
Dennis Oppenheim
-fingernail breaking in wood
-chair going inside other chair
Kiki Smith
-installation artist
-depictions of body (hand in jar, bronze womb, male and female parts)
-the vulnerable body (bloody limbs severed from bodies)
-hanging bodies represent AIDS
-pee body (squatted lady with trail of pee behind her)
-train (female with red beads falling out of her)
-tail (female followed by poop)
-virgin mary (with no skin, etc)
-deer giving birth to a woman
Antony Gormley
-iron cast body laying on ground (from his plastered body)
-countless terra cotta figurines fill massive rooms (field series)
-angels with massive wings
-angel of the north
David Nash
-land/environment art
-bent trees to form sphere
-waterways
-running table (looks like horse/dog)
-wooden boulder
-charred standing frame
-cube, sphere, pyramid
-threshold columns
-sheep space
Beth Galston
-environmental sculptures (found objects)
-luminous garden
-serpentine fence
-ice forest
-meeting place (circular place made with rocks by her and her students)
-tree house (be able to walk around the tree tops)
-color walk
-thunderbird bridge
-light and shadow
-light wall
Lisa Bufano
-dance artist (double amputee)
-morphology project (investigate movements in water)
-doll-making career
-stop-motion videos (first obsession with movements)
-popular performances-fancy (wears stilts in some, story-telling)
-fancy (stilts that creates the illusion that she has 4 legs)
-5 open mouths (reaction to discovery after she had her 5 fingers amputated
-one breath is an ocean for a wooden heart (partner dance-her partner is able-bodied)
Deborah Butterfield
-ferdinand
-horse
-grazing horse
-untitled (laying down made out of mud and sticks)
-reclining horse
-aluminum horse #5
-palma
-rex
Newton and Helen Mayer-Harrison
-survival pieces (what it takes to make good soil/good earth)
-portable pastures/farms (portable fish farm, portable orchard)
-endangered meadows (moved it to top of museum)
Christo and Jeanne-Claude
-tables and chairs wrapped in cloth and rope
-wall of oil barrells (250 oil barrells)
-wrapped coast (1 mill. sq. ft. of erosion resistant fabric)
-valley curtain (8,000 lb orange curtain stretch across cables across a canyon)
-running fence (24.5 mi)
-surrounded islands (surrounded small islands with pink fabric)
-blue umbrellas in Japan, smooshed together in a valley
-yellow umbrellas in california sprawled out in a valley
-the gates (Central Park)-wind blows cloth gates
Ron Mueck
-Shirl's neighborhood
-Pan's labrynth (made puppets for movies)
-made props for commercial
-pinnocchio (hyper-realist)
-dead dad
-pregnant woman
-mask #2 self-portrait
-a girl (giant newborn baby)
-plucked chicken
Ana Mendieta
-la siluetas (uses her body print in snow, dirt, etc)
-holding the dead bird naked
-flaming body sculpture
Claes Oldenburg and Coosje van Bruggen
-pop artists
-spoonbridge and cheery
-trowel 1
-flashlight
-split button
-balancing tools
-knife ship
-free stamp
-inverted collar and tie
-soft shuttlecock (installed, feathers, etc)
-flying pins
-clothespin
Ursula VonRydingsvard
-seven mountains (wood laminates and then uses graphite)
-shovels
-walls
-series of cedar logs with worked texture
Dan Flavin
-flourescent lights
hue
the characteristic of color identified by color names, such as red and blue. It corresponds to a particular wavelength within the spectrum of visible light.
value
characteristic of color which is the degree of lightness or darkness
saturation
characteristic of color that is a measure of the relative purity and brightness or grayness of a color; also called "chroma" or "intesity"
simultaneous contrast
the principle that the juxtaposition of two colors exaggerates their differences and reduces their similarities
local color
the natural color of an object
applied color (polychromed)
color added to a material, concealing or changing its original color (multicolored)
kinetic art (controlled time)
works designed to move and perhaps change through time (referring to the movement of works of art through a predetermined sequence of events)
mobiles (whirligigs)
hanging sculptures that turn when moved by air currents (can only move in preestablished directions, though the speed of movement will depend on the wind that propels them)
performance art
a live experience conducted or set up by the artist
illusion of movement
rather than appearing to be a single moment frozen in time, some works enable us to read successive stages of motion as a time sequence
viewing time
time it takes to explore the piece
timelessness (aesthetics)
-classical appeal: transcend contemporary aesthetic trends to express more universal standards of beauty or truth
-become so fully involved with a work that we forget ourselves, lose track of the passage of time, and experience the vastness of the moment, beyond time.
-certain pieces are outside of time in the sense that they do not exist until someone becomes involved with them