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20 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Daguerre, Boulevard du Temple, Paris, c. 1840 |
Early Photography. Shows the advantages of the new technique |
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Gustave Courbet, The Stone Breakers, 1850 (destroyed 1945) |
Realism. Anonymous everyday people. Not considered worthy of artistic attention |
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Rosa Bonheur, The horse Fair, 1850 |
Realism |
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Anonymous, Two unidentified women, ca. 1850 |
Early Photography. Historical permanence available to more of the population |
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Edouard Manet, Olympia, 1860. bridges gap between Realism and Impressionism) |
Impressionism. Most famous in the history of modern art. Only image of goddess isokay to view nude. Unfinished look |
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William Morris, Sussex Chair, 1860 |
Arts and Crafts |
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Timothy O’Sullivan, Canyon de Chelly, Arizona., ca. 1870 |
Early Photography |
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Claude Monet, Impression: Sunrise, 1870 |
Impressionism. Tube paint. No prep |
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Pierre-Auguste Renoir, Le Moulin de la Galette, 1870 |
Impressionism. Middle class leisure |
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Edgar Degas, The Rehearsal on Stage, ca.1870 |
Impressionism. Cheap entertainment. Photo crop |
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Mary Cassatt, Woman in a Loge,1880. |
Impressionism. Mary Independentlywealthy, american, freedom |
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Georges Seurat, Sunday Afternoon on the Grande Jatte. 1880 |
Post-Impressionism. Systematic,scientific method of paint application |
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Paul Gauguin, Manao tupapau (The Specter Watches over Her), 1890 |
Post-Impressionism. Seems more chaste, but actually more scandalous (not white, young) |
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Vincent van Gogh, Starry Night, 1890 |
Post-Impressionism. Influenceof Japanese woodblock prints. Meditation on death? |
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Victor Horta, Stairwell of interior, Tassel House, Brussels, 1890. |
Art Nouveau. Stylistic unity goal, makethings look better |
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Cezanne, Mont Sainte-Victoire Seen from Les Lauves, 1900 |
Post-Impressionism |
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Hector Guimard, Entrance to the Paris Dauphine Métropolitain Station, Paris, 1900. |
Art Nouveau. Believed industrial rev lackedartistic meritSmall scale productionDesign for skilled craftsmen, not machines |
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Louis Comfort Tiffany, Table Lamp, c. 1900. |
Art Nouveau. Manufactured but looks hand made |
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Henry van de Velde, Candelabra,1900 |
Art Nouveau. Ininterior design and handcrafted objects, used “whiplash” |
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Henri Matisse, Le Bonheur de Vivre (The Joy of Life), 1900 |
Fauvism. Reject Renaissance pictorialwindow - not about capturing what something looks like in real life |
