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43 Cards in this Set
- Front
- Back
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1914-1918 (4) |
WWI |
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1917 |
Lenin Triumphs in Russia |
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1927 |
Stalin becomes the dictator in Russia |
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1933-1945 (12) |
Hitler to power in Germany |
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1936-1939 (3) |
Spanish Civil War |
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1939-1945 (6) |
WWII |
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1945-1990 (45) |
Cold War |
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1950-1953 (3) |
Korean War |
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1964-1975 (11) |
Vietnam War |
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1980-1988 (8) |
Iran-Iraq War |
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WWI marked the point at which... |
the belief center was finally destroyed |
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20th Century has no ________ and asks many questions but gives few _______. |
Dominant style; answers |
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Sylvia Von Harden |
Otto Dix, 1926 |
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Pillars of Society |
George Grosz |
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Glorious Victory |
Diego Rivera, 1954 |
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Ranches Church |
Georgia O' Keefe, 1929 |
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One: Number 31, 1950 |
Jackson Pollock, 1950 |
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Cubism exemplified the... |
fragmentation of the 20th century |
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Les Demoiselles D'Avignon |
Pablo Picasso |
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Girl Before a Mirror |
Pablo Picasso. |
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Guernica |
Pablo Picasso . |
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Guernica details: Organized in form of... Bull represented... Horse represented... Electric light represented... |
-Triptych
-Brutality -The People -All seeing eye of God |
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Early Sunday Morning |
Edward Hopper |
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Nighthawks |
Edward Hopper. |
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Golconda |
Rene Magritte |
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Crucifixion (Corpus Hypercubus) |
Salvador Dali |
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The Last Supper |
Salvador Dali |
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Head Surrounded by Sides of Beef |
Francis Bacon |
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Much of Pop Art is _______; some is highly critical of ______; Fashions that it satirizes is inevitably _____. |
Satire; Society; Transitory |
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Campbell's Soup Cans |
Andy Warhol |
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Flag |
Jasper Johns |
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Samson Blinded |
Louis Corinth |
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Night in Bologna |
Paul Cadmus |
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Chagall painted as though life was a... |
fairytale or fable and he was telling it |
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The White Crucifixion |
Marc Chagall |
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The Birthday |
Marc Chagall |
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Abstract Art is applied to paintings which... |
have no recognizable subject matter |
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Christina's World |
Andrew Wyeth |
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Old Black Joe |
Horace Pippin |
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LL Cool J |
Kehinde Wiley |
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The Cathedrals of Wall Street |
Florine Stettheimer |
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The Problem We All Live With |
Norman Rockwell |
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Frog and Ogre |
James C. Christensen |
