Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
67 Cards in this Set
- Front
- Back
ambiguity
|
the multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage
|
|
clause
|
a grammatical unit that contains both a subject and a verb
|
|
oxymoron
|
from the Greek for "pointedly foolish", a figure of speech wherein the author groups apparently contradictory terms to suggest a paradox
|
|
litotes
|
a form of understatement that involves making an affirmative point by denying its opposite
|
|
syllogism
|
from the Greek for "reckoning together", a deductive system of formal logic that presents two premises that inevitably lead to a sound conclusion
|
|
repetition
|
the duplication, either exact or approximate, of any element of language, such as a sound, word, phrase, clause, sentence, or grammatical pattern
|
|
personification
|
a figure of speech in which the author presents or describes concepts, animals, or inanimate objects by endowing them with human attributes or emotions
|
|
homily
|
this term literally means "sermon" but more informally, it can include any serious talk, speech, or lecture involving moral or spiritual advice
|
|
diction
|
refers to the writer's word choices, especially with regard to their correctness, clearness, or effectiveness
|
|
genre
|
the major category into which a literary work fits
|
|
transition
|
a word or phrase that links different ideas
|
|
synesthesia
|
when one kind of sensory stimulus evokes the subjective experience of another
|
|
style
|
an evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices; classification of authors to a group and comparison of an author to similar authors
|
|
prose
|
one of the major divisions of genre; refers to fiction and nonfiction, including all its forms
|
|
pedantic
|
an adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish
|
|
metaphor
|
a figure of speech using implied comparison of seemingly unlike things or the substitution of one for the other, suggesting some similarity.
|
|
mood
|
the prevailing atmosphere or emotional aura of a work
|
|
hyperbole
|
a figure of speech using deliberate exaggeration or overstatement
|
|
didactic
|
from the Greek for "teaching", these words have the primary aim of teaching or instructing, especially the teaching of moral or ethical principles
|
|
inference
|
to draw a reasonable conclusion from the information presented
|
|
theme
|
the central idea or message of a work; the insite it offers into life
|
|
tone
|
similar to mood, it describes the author's attitude towards his material, the audience, or both
|
|
wit
|
in modern usage, intellectually amusing language that surprises and delights
|
|
satire
|
a work that targets human vices and follies or social institutions and conventions for reform or ridicule
|
|
subordinate clause
|
a word group that contains both a subject and a verb, but cannot stand alone because it does not express a complete thought
|
|
semantics
|
the branch of linguistics that studies the meaning of words, their historical and psychological development, their connotations, and their relation to one another
|
|
point of view
|
in literature, the perspective from which a story is told
|
|
rhetoric
|
from the Greek for "orator", this term describes the principles governing the art of writing effectively, eloquently, and persuasively
|
|
figurative language
|
writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid
|
|
imagery
|
the sensory details or figurative language used to describe, arouse emotion, or represent abstractions
|
|
generic conventions
|
this term describes traditions for each genre
|
|
denotation
|
the strict, literal, dictionary definition of a word, devoid of any emotion, attitude, or color
|
|
antithesis
|
the opposition or contrast of ideas; the direct opposite
|
|
caricature
|
a verbal description, the purpose of which is to exaggerate or distort, for comic effect, a person's distinctive physical features or other characteristics
|
|
antecedent
|
the word, phrase, or clause referred to by a pronoun
|
|
allusion
|
a direct or indirect reference to something which is presumably commonly known, such as an event, book, myth, place, or work of art
|
|
euphemism
|
from the Greek for "good speech"; a more agreeable or less offensive substitute for a generally unpleasant word or concept
|
|
conceit
|
a fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects
|
|
aphorism
|
a terse statement of known authorship which expresses a general truth or moral principle
|
|
connotation
|
the non-literal, associative meaning of a word; the implied, suggested meaning
|
|
figure of speech
|
a device used to produce figurative language
|
|
apostrophe
|
a figure of speech that directly addresses an absent or imaginary person or a personified abstraction, such as liberty or love
|
|
alliteration
|
a repetition of sounds, especially initial consonant sounds in two or more neighboring words
|
|
loose sentence
|
a type of sentence in which the main idea comes first followed by dependent grammatical units such as phrases and clauses
|
|
onomatopoeia
|
a figure of speech in which natural sounds are imitated in the sounds of words
|
|
irony
|
the contrast between what is stated explicitly and what is really meant, or the difference between what appears to be and what is actually true
|
|
paradox
|
a statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity
|
|
subject complement
|
the word or clause that follows a linking verb and complements, or completes the subject of a sentence by either renaming it or describing it
|
|
sarcasm
|
from the Greek meaning "to tear flesh"; involves bitter caustic langauge that is meant to hurt or ridicule someone or something
|
|
allegory
|
the device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning
|
|
analogy
|
a similarity or comparison between two different things or the relationship between them
|
|
atmosphere
|
the emotional nod created by the entirety of a literary work, established partly by the setting and partly by the author's choice of objects that are described
|
|
colloquialism
|
the use of slang or informalities in speech or writing
|
|
extended metaphor
|
a metaphor developed at great length, occurring frequently in or throughout a work
|
|
invective
|
an emotionally violent, verbal denunciation or attack using strong, abusive language
|
|
metonymy
|
a term from the Greek meaning "changed label" or" substitute name"; a figure of speech in which the name of one object is substituted for that of another closely associated with it
|
|
narrative
|
the telling of a story or an account of an event or series of events
|
|
parallelism
|
refers to the grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity
|
|
anaphora
|
a sub-type of parallelism, when the exact repetition of words or phrases occurs at the beginning of successive lines or sentences
|
|
parody
|
a work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule
|
|
periodic sentence
|
a sentence that presents its central meaning in a main clause at the end
|
|
rhetorical modes
|
the flexible term describes the variety, the conventions, and the purposes of the major kinds of writing
|
|
symbolism
|
generally, anything that represents itself and stands for something else
|
|
syntax
|
the way an author chooses to join words into phrases, clauses, and sentences
|
|
thesis
|
the sentence that directly expresses the author's opinion, purpose, meaning, or position
|
|
understatement
|
the ironic minimalizing of fact; it presents something as less significant than it is
|
|
synecdoche
|
a figure of speech in which a part of something is used to represent the whole or, occasionally, the whole is used to represent a part
|