Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
90 Cards in this Set
- Front
- Back
accent
|
when a syllable is given a greater amount of force in speaking than is given to another; also called a stress
|
|
alexandrine
|
in English verses, a line of iambic hexameter, usually having a caesura after the third foot
|
|
allegory
|
a narrative in either verse or prose in which characters, events, and in some cases setting, represent abstract concepts apart from the literal meaning of the story
|
|
alliteration
|
the repetition of consonant sounds at the beginning of words or within them, especially in accented syllables
|
|
allusion
|
an indirect reference to a person, place, or thing-fictious, historical, or actual
|
|
analogy
|
a comparison made between two objects, situations, or ideas that share something in common but are otherwise totally different
|
|
anapest
|
a metrical foot consisting of three syllables, two unaccented followed by one accented
|
|
anaphora
|
the repetition of the same word or phrase at the beginning of several successive clauses, verses, or paragraphs
|
|
antagonist
|
a character in a story or play that opposes the protagonist
|
|
apostrophe
|
a figure of speech in which a character or narrator directly addresses an abstract concept, an inanimate object, or a person who is not present
|
|
assonance
|
the repetition of similar vowel sounds in stressed syllables or words; like alliteration, assonance may occur either initially or internally
|
|
ballad
|
a narrative song or poem passed on orally
|
|
blank verse
|
verse written in unthymed iambic pentameter
|
|
caesura
|
a light but definite pause within a line of poetry
|
|
catharsis
|
the purification of emotions by vicarious experience, especially through drama
|
|
characterization
|
the methods used by an author to develop the personality of a character in a literary work
|
|
chiasmus
|
a rhetorical device in which words or phrases initially presented are restated in reverse order; for example, "do not live to eat, but eat to live"
|
|
chorus
|
in ancient Greek drama, a group of actors who sang and danced in unison and provided commentary on the actions of the main characters
|
|
Cliche
|
a trite or hackneyed expression, idea, plot, character development, etc.
|
|
climax
|
a decisive moment that is of maximum intensity or is a major turning point in a plot; a point when the action changes course and begins to resolve itself in some manner
|
|
comedy
|
a play written primarily to amuse the audience, usually featuring a protagonist whose fortunes take a turn for the better
|
|
comic relief
|
an amusing scene, incident, character, or speech introduced into a serious or tragic work to relieve tension
|
|
conceit
|
an elaborate, extended, and often surprising comparison made between two very dissimilar things that exhibits the author's ingenuity and cleverness; (from the Italian "concetto," meaning concept, bright idea)
|
|
concrete poem
|
a poem in which the visual arrangement of the letters and words suggests its meaning
|
|
conflict
|
a struggle between two opposing forces or characters in a short story, novel, play, or narrative poem; a conflict can be external or internal; there are four common types of conflicts; a person against another person, a person against nature, a person against society, and a person against him or herself
|
|
connotation
|
the emotional associations that surround a word as opposed to its denotation
|
|
consonance
|
the repetition of consonant sounds that are preceded by a different vowel
|
|
couplet
|
two successive lines of verse that have the same meter and in many cases rhyme
|
|
dactyl
|
a three-syllable metrical foot consisting of a stresed syllable followed by two unstressed syllables
|
|
declining action
|
in a narrative, action that occurs after the climax and directly before the denouement or the resolution of the plot; falling action
|
|
denotation
|
the literal meaning of a word--its "dictionary definition" that does not take into account any other emotions or ideas the reader may associate with it
|
|
denouement
|
the resolution of the plot of a literary work; the final unravelling of the complications of a plot; the word "denouement" is French for "unknotting" or "untying"
|
|
deus ex machina
|
a Latin term meaning "the god from the machine"; in ancient dramas, a god would often descend to the stage to rescue the protagonist from doom; thus, this term is used to refer to any power, event, person, or thing that comes in the nick of time to solve a difficulty; also can refer to providential interposition, espeically in a novel or play
|
|
dialect
|
variety of language spoken by a social group or spoken in a certain locality that differs from the standard speech in pronunciation, vocabulary, and grammatical form
|
|
dialogue
|
a conversation carried on between two or more people in a literary work; dialogue can serve many purposes, including characterization, advancement of the plot, development of the theme(s), and creation of mood
|
|
diction
|
the author's choice of words and phrases; diction involves both connotation and denotation
|
|
didactic poetry
|
poetry whose purpose is to teach the reader some kind of lesson
|
|
dramatic irony
|
a situation in which the author and the audience share knowledge by which they can recognize that the character's actions are inappropriate or that the character's words have a significance but these things are unknown to the character-the audience or reader has knowledge that the character does not have
|
|
dramatic monologue
|
a lyric poem in which the speaker addresses someone whose replies are not recorded; in a dramatic monologue, the poet adopts the voice of a fictive or historical voice or some other persona
|
|
dramatic situation
|
a situation that drives the plot of a drama that involves the dynamic relation between a character and a goal or objective and the obstacles that intervene between the character and the objective
|
|
dynamic character
|
a character that changes in some way-usually for the better-during the course of a story
|
|
elegy
|
a lament or a sadly meditative poem, sometimes written on the occasion of a death; usually formal in language and structure and solemn or melancholy in tone
|
|
end rhyme
|
rhyming of words at the ends of lines of poetry
|
|
end-stopped line
|
a line of poetry that contains a complete thought, usually ending with a period, colon, or semicolon, and therefore ends in a full pause; the opposite of a run-on line
|
|
English or Shakespearean sonnet
|
a fourteen-line poem in iambic pentameter having a rhyme scheme of abab/cdcd/efef/gg; is usually presented in a four-part structure in which a theme or idea is developed in the first three quatrains and then is brought to a conclusion in the couplet
|
|
enjambment
|
the employment of run-on lines of poetry, whereby the meaning of the statement is carried from one line to the next without a pause
|
|
epic
|
a long narrative poem describing the deeds of a great hero, great adventures, and matters of national or global significance and sometimes featuring supernatural forces
|
|
epigram
|
a short poem that ends in a witty or ingenious turn of thought, to which the rest of the composition is intended to lead up
|
|
epigraph
|
a motto or quotation at the beginning of a book, poem, or chapter that usually indicates its theme
|
|
epiphany
|
a moment of enlightenment in which the underlying truth or essential nature of something is sudenly revealed or made clear to a character
|
|
epistolary
|
associated with letters or the writing of letters; for example, an dpistolary poem is a letter written in verse
|
|
eye rhyme
|
rhyme in which two or more words look the same and are spelled similarly but have different pronunciations, for example, "have" and "grave"; also called sight rhyme
|
|
exposition
|
in fiction, the narrative passages that establish the basic details of the story, including setting, time, and characters; in drama, scenes that introduce the main characters and introduce the dramatic situation; in some cases, the exposition will provide the audience with information on events that occurred prior to the point in time at which the work begins
|
|
falling action
|
in a narrative, action that occurs after the climax and directly before the denouement or the resolution of the plot
|
|
farce
|
a highly comic, light-hearted drama, usually involving stock situations and characters and based on a far-fetched humorous situation
|
|
feminine ending
|
an unaccented syllable at the end of a line of poetry
|
|
feminine rhyme
|
a rhyme in which the similarity of sound is in both of the last two syllables; for example, "weary" and "dreary"
|
|
figurative of language
|
language used in a nonliteral way; figurative language uses figures of speech such as similes, metaphors, personification, hyperbole, synecdoche, etc.
|
|
figure of speech
|
an expression in which words are used in a nonliteral way to achieve an effect beyond the range of ordinary language
|
|
flashback
|
an interruption in the continuity of a story by the portrayal of some earlier episode
|
|
flat character
|
a character that has a single distinguishing trait and is not developed into a whole personality
|
|
foil
|
a person or thing that highlights the traits of a character by contrast
|
|
foot
|
a division of verse consisting of a number of syllables, one of which has the principal stress; the basic unit of meter in poetry
|
|
foreshadowing
|
the use of hints or clues to suggest what will happen later in a short story, novel, play, or narrative poem
|
|
framed story
|
a narrative device whereby a story or group of stories is presented (often told by one of the characters) within the framework of a larger narrative; Chaucer's The Canterbury Tales is an example of a framed story
|
|
free verse
|
poetry that does not have a fixed meter or rhyme scheme
|
|
haiku
|
a Japanese poetic form that is comprised of three unrhymed lines of five, seven, and five syllables respectively
|
|
half-rhyme
|
slant rhyme
|
|
hero/heroine
|
the central character in a work of fiction
|
|
heroic couplet
|
two rhymed lines of iambic pentameter
|
|
high comedy
|
a comedy that appeals to the intellect using verbal wit, a clever plot, and visual elegance, usually having upper-class characters
|
|
hyperbole
|
a figure of speech in which exaggeration or overstatement is used for special effect
|
|
iamb
|
a metrical foot consisting of two syllables, the first unaccented, the second accented
|
|
iambic pentameter
|
poetry consisting of a line of five iambs; the most common verse line in English poetry; a meter especially familiar because it occurs in all blank verse, heroic couplets, and sonnets
|
|
imagery
|
the details in a work of literature that appeals to the senses of the reader, lend the work vividness, and tend to arouse an emotional response in the reader
|
|
In medias res
|
a Latin phrase meaning "in the middle of things"; used in reference to narratives that begin in the middle of the action
|
|
internal rhyme
|
rhyme that occurs within a line of poetry
|
|
irony
|
the contrast between what appears to be and reality; see dramatic irony, situational irony, and verbal irony
|
|
Italian or Petrarchan sonnet
|
a fourteen-line poem in two parts, an initial octet (eight lines) followed by a sestet (six lines), usually having a rhyme scheme of abbaabba/cdecde; the octet and the sestet are usually played off of one another in some way
|
|
limerick
|
a five-line comic verse form with a rhyme scheme of aabba, with the first, second, and fifth lines in trimeter and the third and fourth in dimeter
|
|
litotes
|
a type of understatement in which an affirmative is expressed by the negation of its opposite; for example, "this is no small problem."
|
|
low comedy
|
comic actions based on broad physical humor, scatology, crude punning, and the argumentative behavior of ignorant and often lower-class characters
|
|
lyric
|
a poem that expresses an emotion or state of mind, creating a single, highly personal impression upon the reader
|
|
masculine ending
|
an accented syllable that ends a line of verse
|
|
masculine rhyme
|
a rhyme of one-syllable words (ex: "jail" and "bail" ) or of stressed final syllables (ex: "divorce" and "remorse")
|
|
melodrama
|
a sensational nineteenth-century play that featured a suspenseful, plot-oriented drama with all-good heroes, all-bad villains, simplistic dialogue, and soaring moral conclusions
|
|
metaphor
|
a frigure of speech that makes direct comparison (without the use of a qualifier such as "like" or "as") between two things which are basically dissimilar but share something in common
|
|
meter
|
a regular pattern of stressed and unstressed syllables in poetry
|
|
metonymy
|
a figure of speech in which one word or phrase is substituted for another with which it is closely associated; for example, the use of the word "Washington" to mean the U.S. government
|
|
microcosm
|
in literature, refers to a model in which events on a miniature scale parallel those occurring on a larger scale; for example, conflict within a family might be a microcosm of a world at war; the word literally means "small world"
|