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31 Cards in this Set
- Front
- Back
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The Jian'an建安 era
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(196-220)
-the last Han Reign period -refers to works of the Cao family and the writers who gathered under their patronage -often associated with Cao Cao's headquarters at Ye |
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Cao Cao曹操
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(155-220)
-Courtesy name 孟德 -became the Prime Minister in 208 -His son Cao Pi declared the establishment of the Wei Dynasty魏 in 220 and posthumously enthroned Cao Cao as the Emperor Wu of the Wei魏武帝 -his works, all yuefu(such as Duange Xing) were preserved in the "Treatise on Music" in the Song Shu(Song History) -emergered as an important figure on peotry ONLY in the 16th century -many yuefu treat the motif of seeking immortality |
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Ni yezhong ji擬鄴中集
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-done by the fifth century poet Xie Lingyun(385-433)
-included a preface in the voice of Cao Pi and the imitations of the Jian'an qizi -deals with the differences among the Seven Masters |
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Three Caos三曹
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-father,Cao Cao曹操,Emperor Wu of the Wei魏武帝
-son, Cao Pi 曹丕,Wei Wendi魏文帝 -the younger son, Cao Zhi曹植,Prince Si of Chen陳思王 |
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Jian'an qizi建安七子"Seven Masters of the Jian'an"
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-perhaps the earliest paradim for the stylistic differences of individual writers living at the same time
-Kong Rong孔融 -Ying Yang應瑒 -Liu Zhen劉禎 -Wang Can王粲,famous for his "Seven Sorrows"七哀詩*and Congjun shi從軍詩*"In the Army" -Chen Lin陳琳 -Ruan Yu阮瑀 -Xu Gan徐幹,author of the six Shisi室思*"Chamber Thoughts" *the lecture notes say sometime the list does not include Kong Rong, but has Po Qin繁欽 instead |
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Ying Shao應劭
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-a famous Eastern Han scholar
-author of the Fengsu tongyi風俗通義* -father of Ying Yang and Ying Qu 應璩* |
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Lunwen論文(Essay on Literature)
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-by Cao Pi
-a chapter of his collected essays the Dianlun典論* -preserved in Wen Xuan文选* as an excerpt -in which commented on the particular strengths of the various Masters and associating that with skill in different genres. -in which Cao Pi saw the value of literature as a means for dynastic and personal immortality |
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Duangge xing短歌行
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-yuefu in four syllable line,by Cao Cao
- shows the relation between the Caos and their literary clients.The ruler's flattery of the retainers. |
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zengda赠答
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verse epistles and replies
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zashi雜詩(Unclassified poem)
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-by Cao Pi
-beginning with 西北有浮云，has similar lines with Cao Zhi's Zashi beginning with 转蓬离本根, set syntactic patterns |
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Cao Pi曹丕
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(187-226)
-father of Cao Rui，the Wei Mingdi魏明帝 -author of the Lunwen论文, Yan ge xing 燕歌行 -literary critic and patron -who saw the value of literature as a means for dynastic and personal immortality - |
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Yan ge xing燕歌行
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-by Cao Pi
-the ealiest full pieces in the seven syllable line |
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Cao Zhi曹植
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(192-232)
-courtesy name Zijian子建* -belongs to a generation after that of the Seven Master -was ranked in the highest category by Zhong Rong -who saw literature was a "lesser Way" Xiao Dao 小道( in contrast ti Cao Pi who saw literature in high regard) -author of the series Zeng Baimawang Biao *赠白马王彪 -his poetry was different from the "old poems" and yuefu in the way that he often elaborates metaphors and makes arguments more reminiscent of prose than of ealier poetry. -a number of his works classified under the large heading of yuefu, such as "Famed Matropolises" that seem to follow from titiles of his own creation and were not intended for muscial performance |
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Zeng Baimawang Biao 赠白马王彪 (Presented to Biao, Prince of Baima)
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-By Cao Zhi
-the ealiest true poem series in the five-syllable line. |
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Zijian子建
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Cao Zhi's courtesy name
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The Wei魏 Dynasty
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-Cao Pi declared the Wei Dynasty in 220
-Capital is Luoyang |
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Prince Si of Chen陳思王
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Cao zhi
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Emperor Wu of the Wei魏武帝
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Cao Cao
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Wei Wendi魏文帝
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Cao Pi
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Fengsu tongyi風俗通義
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A compilation by Ying Shao around the turn of the 3rd Century AD, it contains vivid descriptions of contemporary cults and beliefs. Ying Shao saw a paramount need of greater perception, integrity, and courage if the Han Dynasty was to return to the golden age of the past, and so he wrote this work, which not only provides a unique record of Han beliefs, but also reveals the complex philosophy of one of the best informed intellectuals of the day.
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Liu Xie刘勰
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-author of Wenxin diaolong文心雕龙 that discusses the differences among the Seven Masters
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Wenxin diaolong文心雕龙
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-by Liu Xie
-deals with the the distinction among the Seven Masters |
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Zhong Rong 鍾嶸
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-author of Shipin诗品( Gradations of Poets)
-sixth century -declared the superiority of the 5 syllable line over the 4 syllable line |
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Shipin诗品( Gradations of Poets)
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-by Zhong Rong
-discusses the differences among the Seven Masters |
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Seven Sorrows七哀詩
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-by Wang Can
-refer to the warfare in Chang'an in 192 -the first of the "Seven Sorrows" describes the poet's flight from Chang'an and finding a woman abandoning her baby in the wilderness. |
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Congjun shi從軍詩
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-by Wang Can
-the first four "In the Army" are on Cao Cao's military campaigns -mix the private voice from the "old poems" with a new public voice and a context of a public role for poetry. |
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Shisi室思
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- "chamber Thoughts" by Xu Gan
-treat the popular motif of the woman alone. -one group of four lines in the third Shisi became a set pattern for yuefu quatrains in the Southern Dynasties, entitled and beginning with Xu Gan's line"since you went away" and developping variations on how it has been for the woman since her man went away. |
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Wei Mingdi魏明帝(226-239)
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-Cao Rui曹睿(205-239)
-Cao Pi's son |
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Dianlun典論
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-collected essays by Cao Pi
-Lunwen 论文 is chapter from Dianlun |
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Wen Xuan 文选
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-an anthology of poetry and prose
-complied by Xiao Tong -materials perserved in Wen Xuan was strongly influenced by maps of distinction of the Seven Masters |
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應璩
Ying Qu |
(190-252), Ying Yang’s younger brother, also has extant poems; although probably from a few decades later than Ying Yang.
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