What good can come of listening to Lil Wayne degrade women, and call his member every name in the book, or as Camp so directly put it, his dick. Very informal and casual if you ask me. Camp calls Lil Wayne’s lyrics “one bad dad punchline after the other, peppered with Trukfit product placements and tires rhyme schemes” (ZCAPP). To say the record reviewer was less than pleased with this album is an understatement. In contrast, Ann Power’s, review of Whitney Houston’s album is very formal. She writes about Whitney’s amazing musical talents, describing her glory days as having a voice that “ stands like a monument upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators” (Powers). She was a legend and Powers so eloquently describes Whitney's grandeur. She describes Whitney’s voice as “huge, clean, cool mezzo-soprano”(Powers). I had to google that, it means “a female singer with a voice pitched between soprano and contralto” (Phillips). Which led me to have to look up soprano and contralto so I could grasp the greatness being described by Powers. Ann Power’s review was written very intellectually and formal as opposed to Zcamp’s
What good can come of listening to Lil Wayne degrade women, and call his member every name in the book, or as Camp so directly put it, his dick. Very informal and casual if you ask me. Camp calls Lil Wayne’s lyrics “one bad dad punchline after the other, peppered with Trukfit product placements and tires rhyme schemes” (ZCAPP). To say the record reviewer was less than pleased with this album is an understatement. In contrast, Ann Power’s, review of Whitney Houston’s album is very formal. She writes about Whitney’s amazing musical talents, describing her glory days as having a voice that “ stands like a monument upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators” (Powers). She was a legend and Powers so eloquently describes Whitney's grandeur. She describes Whitney’s voice as “huge, clean, cool mezzo-soprano”(Powers). I had to google that, it means “a female singer with a voice pitched between soprano and contralto” (Phillips). Which led me to have to look up soprano and contralto so I could grasp the greatness being described by Powers. Ann Power’s review was written very intellectually and formal as opposed to Zcamp’s