Vashi Nedomansky is a film editor that has been editing for the past 15 years. He has worked on nine feature films including Sharknado 2 and An American Carol. Recently, Vashi has provided post production workflow and consulting services for many films including Gone Girl and Deadpool. Furthermore, Vashi trained a team of 5 Avid editors and assistants to work on Premiere Pro. He taught them how to change their workflow from Avid to Premiere. Moreover, Vashi was able to help these editors with customizing different screen setups for these new users of Premiere. He helped them with mapping out keyboard setups so that it would be familiar to AVID. Vashi believes that the first step of a good workflow is for the editor to be comfortable with the
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Also, there was heavy VFX workflow and the editors wanted to test out dynamic linking in Premiere. Each project that the editors had to do was different. The lead editor had the current things that were going and the rest was in a simple order. It was Current Cut, Sound Effects, VFX, Stills, and Slugs. The lead editor had an assistant that helped him clean up his project window at the end of the day because he was pulling files from everywhere. The assistant’s job was a lot more complex. He had to archive all of Julian’s earlier cuts and organize them for the lead editor and Tim the director. All of the editors were working from one open solid state drive. There was more than 550 hours of Deadpool footage on the open drive on one system. Each editor and each editing bay had their own folder with their name and most current work on it. They would also have their own folder with their previous on it. That way if a person were to go look for their most recent cut, they would know that the most current files would be in there. The project that they were sharing were just sequences that they would take into their own project. Also because they were not pulling duplicate media over, there would be no size to it and that footage would be already in their project because they are on the shared
Also, there was heavy VFX workflow and the editors wanted to test out dynamic linking in Premiere. Each project that the editors had to do was different. The lead editor had the current things that were going and the rest was in a simple order. It was Current Cut, Sound Effects, VFX, Stills, and Slugs. The lead editor had an assistant that helped him clean up his project window at the end of the day because he was pulling files from everywhere. The assistant’s job was a lot more complex. He had to archive all of Julian’s earlier cuts and organize them for the lead editor and Tim the director. All of the editors were working from one open solid state drive. There was more than 550 hours of Deadpool footage on the open drive on one system. Each editor and each editing bay had their own folder with their name and most current work on it. They would also have their own folder with their previous on it. That way if a person were to go look for their most recent cut, they would know that the most current files would be in there. The project that they were sharing were just sequences that they would take into their own project. Also because they were not pulling duplicate media over, there would be no size to it and that footage would be already in their project because they are on the shared