Even though hair is pushed back, you can tell that it is long. Her expression is very loving and caring towards Jesus (as many artworks display her in this style). The young Jesus Christ lower half is covered by a blanket or a piece of Mary’s robe and you can see the outline shape of his foot. His top half is uncovered and he stretches out his right hand to touch his mother’s face in a loving, playful manner. He has short and curly hair and he has a resemblance of a young angel.…
One of the most famous as a painter and also was a scientist, mathematician, engineer, inventor, anatomist, sculptor, architect, botanist, musician, and a writer. Leonardo was born on 15 April 1452, in the Tuscan hill town of Vinci, in the valley of the Arno River. His grandfather, Antonio Meza, wrote down the details of the birth. Leonardo's parents were not married. Leonardo started painting while he was still a boy.…
Viewed as one of the world’s most revolutionary sculptures, Michelangelo’s David (Fig. 2) was created between 1501 and 1504 during the Renaissance era. Unlike other Florentine artists whom represented David after his triumphant battle against Goliath, Michelangelo chose to portray David before the battle in a critical moment of concentration. Regardless of intention, Michelangelo depicted David with an over-proportioned head and intensified detail in his right hand. Some interpretations imply that Michelangelo utilised these details to emphasise David’s focus, whilst others suggest that these parts of the sculpture were accentuated in order to be visible in view of the cathedral roof line in Florence.…
Leonardo da Vinci’s “Virgin of the Rocks” and Mary Cassatt’s “After the Bath” are two pieces of art I will be comparing and contrasting. [HELP] “Virgin of the Rocks”, also known as, “Madonna of the Rocks” are two pieces of art composed by Leonardo da Vinci, who was a Renaissance artist. They were created in return for a commission by the Fraternity of Immaculate Conception on April 25th, 1483. This painting was going to be in the Church of San Francesco Grande for an altarpiece that would hang in the center surrounded by angels by other artists. The Louvre version is the first one that was created solely by Leonardo around 1483-1486.…
1425-1428, oil on oak) in this painting. Of course, mainly because Rogier van der Weyden was a student of Robert Campin. But in my opinion, there is this very similar spirituality that is laid down on both paintings, and it was something that Robert could teach Rogier, it was something they both had (and possibly what established their connection.) In “The Mérode Altarpiece” “the smallest details are meticulously worked to reflect reality on a two-dimensional plane. Illusionistic effects are enhanced by the technical innovation of overlaying translucent oil pigments on aqueous opaque pigments”.…
1. How did the Salem witchcraft trials reflect attitudes toward women and the status of women in colonial New England? The Salem witchcraft trials, according to author Carol Karlsen, reflected attitudes towards the status of and attitudes towards women in Colonial New England. In these colonies, women were held in relatively high regard, but much was expected from them. Although families and wives were highly valued in the Puritan culture of New England, Puritanism reinforced the idea of almost total male authority.…
This focus allows exactitude in Giotto’s realism. The crowds of this fresco are much smaller than the crowds seen in Duccio’s Crucifixion on the Maestá. Mary faints in a realistic way into the hands of St. John and a holy woman . Dividing the fate of Christ’s cloak again suggests the sin of obsession over worldly goods and wealth, relating to the patronage and function of this chapel. Giotto’s realistic technique is seen in the folds of the cloak, heavy as it hangs down.…
he Torment of Saint Anthony is the earliest known painting by Michelangelo, painted after an engraving by Martin Schongauer when he was only 12 or 13 years old.[1] It is currently in the permanent collection of the Kimbell Art Museum in Fort Worth, Texas.[1][2] It shows the common medieval subject, included in the Golden Legend and other sources, of Saint Anthony being assailed in the desert by demons, whose temptations he resisted; the Temptation of St Anthony (or "Trial") is the more common name of the subject. But this composition shows a later episode where St Anthony, normally flown about the desert supported by angels, was ambushed in mid-air by devils.[3] The painting was previously attributed to the workshop of Domenico Ghirlandaio,…
00000 In 2011, Bella Torr and Agnes Hranitzky were directed a Hungarian philosophical drama film The Turin Horse, starring Janos Derrzsi as Ohisdorfer(stableman),Enika Brok as Ohisdorfer’s daughter(stableman’s daughter), Mihlay Kormas as Bemhard(drunken man) and Ricsi as the horse. The film was written by Torr and Laszlo Krasznahorkai. Title of the film makes describe to a notorious event in the life of Fredrich Nirtzsche. In 1889, during travelling in Turin; Fredrich Nirtzsche witnessed the whipping of a horse.…
The Metropolitan Museum of Art is the world's largest encyclopedic art museums, located on the eastern side of the central park, in Manhattan. With more than 2 million works of art collection from around the globe, it also has collection from per-historic timeline. Each works of arts in here, organized by their own access codes, and placed into a specific gallery from a specific time period within their respective fields. The artwork that I chose to talk about today is a magnificent altarpiece, named “The Crucifixion; The Last Judgment” by artist Jan van Eyck. Created in the early Renaissance period, both The Crucifixion and The Last Judgment were done in two separate panels.…
As Abraham Lincoln once said, “Marriage is neither heaven nor hell, it is simply purgatory.” Marriage is not necessarily good or bad; it is somewhere in between with a series of ups and downs. Although the two couples in Julius Caesar both struggle through their purgatory, they differ in the way they treat each other within their households. One way the marriages are similar is that one member of each pair notices an internal conflict their spouse is undergoing. When Portia notices that Brutus is troubled, she questions him: “Dear my lord, make me acquainted with your cause of grief.”…
The Altarpiece of St. Clare: A Visual Biography The Altarpiece of St. Clare was created by an anonymous artist around 1280. The media used in this piece are tempera paint and wood. This was a common choice among artist during the middle ages.…
The Crucified Christ (1503-04) is a classical example of Italian Renaissance art. The piece illustrates, extremely effectively the Italian desire to make everything in which they paint beautiful, not matter how horrific the subject may be. Christ in this depiction, although, dead does not appear to have progressed into rigor mortis of any degree, Christ also appears to look peace in death in the Raphael painting, unlike in the Grunewald where distress is on Christ’s face is blatant. The way in which Christ is bleeding in Raphael’s piece is depicted with a degree of beauty, the bleeding is not messy, any blood coming from Christ, is delicately dripping into chalices held by angels on either side of Christ. This is a complete contrast with that of Grunewald’s depiction of the crucifixion, where blood is freely flowing down both his arms and legs.…
This will be a description of “The Lamentation” by Giotto di Bondone (1305). One thing that stands out in this painting is the use of line. The artist’s use and qualities of the lines brings out the purpose and meaning of the painting, as well as what is actual and implied. The fresco painting depicts the body of Christ, Christ’s supporters, and the Angels in heaven after he had been crucified.…
3. Motherhood and Sexuality According to Rich, the motherhood exists in two different reals: “biological motherhood or ‘the potential relationship of any woman to her powers of reproduction and to children,’ and motherhood as an ‘institution, which aims at ensuring that that potential—and all women—shall remain under male control’” (qtd. in Villar Argáiz 128).…