The Film The Help

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The primary objective of the paper is to describe the ideological stance of major characters in the film The Help. Specifically, the goals of the study are as follows: (1) to provide a brief summary of the film; (2) define the so-called “left and “right” wings of the ideological spectrum; (3) determine whether the chosen character subscribes to the left or right wing of the ideological spectrum; and (4) to select and discuss three (3) bipolar characters that best describe or define the chosen character’s actions throughout the film. For this purpose, the paper is divided into four (4) sections; each pertaining to each of the aforementioned objectives.
Film Summary Released in 2011, The Help is an American period drama film which focuses on the experiences of two African American maids during the Civil Rights Movement. One of the maids (Aibileen Clark) works for Mrs. Leefort, a woman suffering from postpartum depression while the other maid (Minny Jackson), a woman with extraordinary culinary skills, works for Mrs. Walters. The two maids eventually become the subject of Eugenia Phelan’s book. Eugenia Phelan
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Absolute (R). As stated earlier, left-wing advocates see everything as flexible and permissive. It always depends on mitigating circumstances, particularly in areas concerning morality, the rule of law, and politics. Right-wing advocates, on the other hand, see the world in black and white, where the distinction between right and wrong is clear-cut and non-negotiable. Hilly Holbrook also sees the world in black and white, not within the contours of morality but within the ambit of racial politics. In her view, skin color is a qualifying attribute of the human species, which inadvertently determines the one’s place in society. Thus, if one is black, then one has no right whatsoever to complain his/her current status in American society. One’s place in society is therefore a matter of skin color, that is, a matter of

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