This paper focuses on the various aspects which inform the current cultural position of Mexico. Also, it seeks to determine several songs, politics and religious beliefs which helped shape the culture of Mexican Americans. The historical evolution of Mexican Americans culture went through various phases that inform the modern Mexico.
The study of various cultures demonstrates the varied roles …show more content…
In many in-stances, the image of the saint portrays a great revolutionary from the civil unrest, sinful life and conflicted society into a more concerted spiritual existence. In fact, the Catholic predominantly used the image to portray official reasons for the church to adopt the need to embrace change and revolution The author asserts that “She intercedes on behalf of humans before God and Christ her son, so she is a transmitter through which and to which Catholics pray”, (Gaspar and López, 52). Also, the image of La Virgin de Guadalupe stands as a codex used in the society. Several members of the religious faith demonstrate the presence and existence of the faithful as of high and greatest significant position. Several writers and authors from China recognized the revolutionary and Codex position of La Virgin de Guadalupe and the particular contribution of the saint in the spiritual life. The author argues that “The Virgin of Guadalupe was not the only Virgin venerated by Mexican-Americans in the United States”, (Gaspar and López, 52). Also, the change in the manner of perception of La Virgin de Guadalupe received a major boost after consideration by the pope. The sainthood position, therefore, makes the religious foundation more outstanding and reasonable regarding the perception of the divinity of certain women such as La Virgin de …show more content…
The exhibition of the digital work in 2001 by Our Lady at Santa Fe’s Museum of International Folk Art (MOIFA) sparked several views and arguments concerning the divinity claims. The author describes the discourse that “what the discourse of protest shows is that the New Mexican Chicano, a community which opposed the piece, believed that only they controlled the true meaning of the Virgin”, (Gaspar and López,