The image of the nude goddess is what viewer's eyes are naturally drawn towards. Botticelli's reasoning for centering Venus is to do exactly that; capture the viewer's attention. Continually, standing around her body are three other mythological people. Two are hand in hand flying in the air, and the other is a lady dressed in a white long gown holding a pink patterned blanket. In the background, there is clearly a body of water, most likely an ocean because she was born of sea-foam. To her left, there is land or shore with trees and grass upon it. The little details of the painting consist of white flowers which are consistent with Botticelli's previous naturalistic work and the realistic colors, and images of the plants within the painting. Botticelli also used Venus as a figure because of her multiple lovers and sense of love and sexuality as stated above. Overall, the painting shows the goddess emerging from the sea as an adult beautiful
The image of the nude goddess is what viewer's eyes are naturally drawn towards. Botticelli's reasoning for centering Venus is to do exactly that; capture the viewer's attention. Continually, standing around her body are three other mythological people. Two are hand in hand flying in the air, and the other is a lady dressed in a white long gown holding a pink patterned blanket. In the background, there is clearly a body of water, most likely an ocean because she was born of sea-foam. To her left, there is land or shore with trees and grass upon it. The little details of the painting consist of white flowers which are consistent with Botticelli's previous naturalistic work and the realistic colors, and images of the plants within the painting. Botticelli also used Venus as a figure because of her multiple lovers and sense of love and sexuality as stated above. Overall, the painting shows the goddess emerging from the sea as an adult beautiful