Unlike the rail-hopping cultures of the 20th century, that were generally forced into transient living through poverty or circumstances, the modern day culture of rail-hopping is now primarily a choice for most, and it generally involves a belief system centered around the complete rejection of society. The subculture known as “Crust Punks” or sometimes called “Drunk punks” or “Gutter punks” make up the majority of the rail-hopping transients that exist today. Crust punk is obviously a lot more than a music genre, David Allen Roby said it best in his thesis Crust Punk: Apocalyptic Rhetoric and Dystopian Performatives, “ it is a sonic descriptor, an indicator, an identity, enactment, embodiment and socio-cultural critique” (Roby 1). The crusties’ commitment to his embodiment of socio-cultural critiques unquestionably constructs a life on the outskirts of society, everyday on the road is a protest to the capitalist society they denounce with every ounce of their body. The convictions of the crusties are not unlike the intense convictions that the Beat Generation exhibited in the 1950s, and also like the Beats, the crusty lifestyle of cultural critique creates a vast productive network of people who contribute to the continuation of a dying method of…