In his book All Shook up : How Rock 'n' Roll Changed America, Glenn Altschuler reiterates one of the censorship problems that rock ’n’ roll music has faced in the 1950s white America. White supremacists in the South rejected what rock ’n’ roll symbolized, integration of the black and white races. They believed that this black culture driven music will eventually intermix with whites, and it would encourage delinquency, crime, and stain american society with barbaric immorality. The White Councils of Alabama even regarded rock music as part of a NAACP plan to “crossbreed” white and black races, and the music must be censored across the
In his book All Shook up : How Rock 'n' Roll Changed America, Glenn Altschuler reiterates one of the censorship problems that rock ’n’ roll music has faced in the 1950s white America. White supremacists in the South rejected what rock ’n’ roll symbolized, integration of the black and white races. They believed that this black culture driven music will eventually intermix with whites, and it would encourage delinquency, crime, and stain american society with barbaric immorality. The White Councils of Alabama even regarded rock music as part of a NAACP plan to “crossbreed” white and black races, and the music must be censored across the