This totalization and essentialization is often a form of nostalgia which has its inspiration more in the thought of the colonizers than of the colonized, and it serves give the colonizer a sense of the unity of his culture while bewildering that of others; as John Frow remarks, it is a making of a mythical One out of many... the colonized peoples will also be other than their pasts, which can be reclaimed but never reconstituted, and so must be revisited and realized in partial, fragmented ways. You can't go home …show more content…
The literature(s) of the colonists: In addition to the post-colonial literature of the colonized, there exists as well the postcolonial literature of the colonizers. As people of British heritage moved into new landscapes, established new founding national myths, and struggled to define their own national literature against the force and tradition of the British tradition, they themselves, although of British or European heritage, ultimately encountered the originating traditions as Other, a tradition and a writing to define oneself against (or, which amounts to the same thing, to equal or surpass). Every colony had an emerging literature which was an imitation of but differed from the central British tradition, which articulated in local terms the myths and experience of a new culture, and which expressed that new culture as, to an extent, divergent from and even opposed to the culture of the "home", or colonizing, nation. The colonizers basically inhabited countries which engrossed the peoples of a number of other heritages and cultures (through immigration, migration, the forced mingling of differing local cultures, etc.), and in doing so often adapted to use the myths, symbols and definitions of various traditions. In this way as well the literature of the hitherto colonizers becomes 'post-colonial'. (It is curiously the case that British literature itself has been colonized by colonial/postcolonial writers writing in Britain out of colonial experiences