The sculpture by Polykleitos, known as Doryphoros or Spear Bearer (6.7), is a perfect representation of the ideal male form as he stands in delicate contrapposto. Even sculptures that came after Doryphoros struggled to grasp this sense of perfection. Arringatore or Aulus Mettellus (7.3), from the period of the Roman Republic, is an example of the decline of proportional quality in human statues. While the statue itself beautifully communicates a message, his hips are not aligned and his right arm is extremely long for his body. Many sculptures of the Roman period were remarkable for their expression, but not for their perfection. It was the perfection of ancient Greek sculptures that opened the door for the expressionism of the following
The sculpture by Polykleitos, known as Doryphoros or Spear Bearer (6.7), is a perfect representation of the ideal male form as he stands in delicate contrapposto. Even sculptures that came after Doryphoros struggled to grasp this sense of perfection. Arringatore or Aulus Mettellus (7.3), from the period of the Roman Republic, is an example of the decline of proportional quality in human statues. While the statue itself beautifully communicates a message, his hips are not aligned and his right arm is extremely long for his body. Many sculptures of the Roman period were remarkable for their expression, but not for their perfection. It was the perfection of ancient Greek sculptures that opened the door for the expressionism of the following