In 1673, Pachelbel moved to Vienna to be hired as an organist. There he would have been exposed to the works of many Catholic composers from southern Germany and Italy. Due to this, his musical style was most likely influenced by these musicians. For instance, there is much speculation over whether Pachelbel had been the pupil of German composer, Johann Caspar Kerll. Regardless, his music reflects much of the latter’s style. This demonstrates that possibly being solely exposed to these composers, Pachelbel received the opportunity to expand his musical style. On the other hand, Pachelbel pieces were unlike much of the music composed during his time. They were more amusing and concise. This shows that his took what he learned and created a new, unique way of expressing himself. This may be a factor that contributed to the revival of the piece in the late 20th century.
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Johann Sebastian was quite young during this time, therefore did not receive any direct teachings from Pachelbel. However, as Bach grew older, his brother became his teacher. Therefore, Pachelbel had a great influence on Bach’s musical style and his pieces. This demonstrates that Pachelbels career was not solely based off his Canon in D. His legacy was made well before this particular piece had become known.
In its original composition, this piece was written for three violins and a basso continuo. However, since the piece was not published until long after Pachelbel’s death, the version that is well-known today has a more modern sound. It had to be adapted, as the instruments had changed and been improved throughout the centuries. Even though this piece is played on almost every instrument nowadays, it is still most common to hear it played on strings, such as the violin or cello, and/or the
Johann Sebastian was quite young during this time, therefore did not receive any direct teachings from Pachelbel. However, as Bach grew older, his brother became his teacher. Therefore, Pachelbel had a great influence on Bach’s musical style and his pieces. This demonstrates that Pachelbels career was not solely based off his Canon in D. His legacy was made well before this particular piece had become known.
In its original composition, this piece was written for three violins and a basso continuo. However, since the piece was not published until long after Pachelbel’s death, the version that is well-known today has a more modern sound. It had to be adapted, as the instruments had changed and been improved throughout the centuries. Even though this piece is played on almost every instrument nowadays, it is still most common to hear it played on strings, such as the violin or cello, and/or the