Iago is a ruthless character who has no shame, and finds happiness in creating chaos. In order to do this, he uses people’s virtues and faults against them. Iago uses the fault of Brabantio to his advantage, provoking him to take action against Othello. Iago says to Brabantio: “an old black ram is tupping your white ewe” (1.1.91-92). Iago describes in vivid detail to Brabantio, Desdemona’s father, of illicit acts between Othello and Desdemona. He knows that Brabantio is a racist and uses this to his benefit. He uses imagery of animals, Othello being the black ram, an aggressive animal, and Desdemona an ewe, an innocent creature. This vivid imagery manipulates Bramantio into imagining the scenario out of proportion. Similarly, he uses Cassio’s qualities against him in order to exploit Othello’s deep-rooted insecurities. Iago observes Cassio’s courteous manner towards Desdemona, such as taking her hand. He sees this as an opportunity to “ensnare as great a fly as Cassio” (2.1.169) by taking a small thing such as courtesy and developing it into a fabricated theory he can feed to Othello. Iago continues to consistently play on Othello’s emotions by altering his perspective, which ultimately leads to Desdemona’s death as a result of his paranoid
Iago is a ruthless character who has no shame, and finds happiness in creating chaos. In order to do this, he uses people’s virtues and faults against them. Iago uses the fault of Brabantio to his advantage, provoking him to take action against Othello. Iago says to Brabantio: “an old black ram is tupping your white ewe” (1.1.91-92). Iago describes in vivid detail to Brabantio, Desdemona’s father, of illicit acts between Othello and Desdemona. He knows that Brabantio is a racist and uses this to his benefit. He uses imagery of animals, Othello being the black ram, an aggressive animal, and Desdemona an ewe, an innocent creature. This vivid imagery manipulates Bramantio into imagining the scenario out of proportion. Similarly, he uses Cassio’s qualities against him in order to exploit Othello’s deep-rooted insecurities. Iago observes Cassio’s courteous manner towards Desdemona, such as taking her hand. He sees this as an opportunity to “ensnare as great a fly as Cassio” (2.1.169) by taking a small thing such as courtesy and developing it into a fabricated theory he can feed to Othello. Iago continues to consistently play on Othello’s emotions by altering his perspective, which ultimately leads to Desdemona’s death as a result of his paranoid