Marcel Duchamp Essay

Improved Essays
During World War I, a group of artists came together and began a new art movement created to show their distaste towards the war, and the ideas of nationalism and materialism. This movement came to be called Dada, which is said to mean ‘hobby horse’ in French by some, but known as just baby talk by others. It was known to use Shock Art, thrusting vulgar language and scatological humour into the eye of the public, who were displeased with the new artworks. The creators said that it wasn’t a movement – the artists weren’t artists, and there was no art. It was simply humour, puns, passion, and sarcasm made to offend by artists who rebelled in any way they could – they used their skills as writers or artists to say that nothing in the world had meaning. That they wouldn’t take part in the new direction the world was going.
Dada only lasted seven years, spanning from 1916 to 1923, and was most often ready-made art, altered slightly and signed to be claimed as the artists. There was only one known rule of Dada, and that was to not follow any given rules. It became an international ‘non-movement’, as it was claimed to be, in the short time that it was being created. In 1923,
…show more content…
Marcel Duchamp was born in 1887 and died in 1968, experiencing the movements of Conceptual art, Surrealism, Cubism, and Dada. He was well known for having a feminine alter ego called Rrose Sélavy who posed in a series of photographs taken by Man Ray. This alter ego was used almost as a joke to further the sarcastic elements of Dada, as some artworks were signed with the name Rrose Sélavy. Other artists such as Robert Desnos used the name in their own artwork. Desnos wrote poetry involving Rrose Sélavy, dubbing her the rightful queen of France. This, alongside the rest of Duchamps artworks, was created in an attempt to draw out a negative response from those who agreed with the idea of materialism and

Related Documents

  • Improved Essays

    Assessment 3: Annotated Bibliography By Marcel Duchamp ‘Fountain’ E. Kuenzli, Rudolf & M. Naumann, Francis “Marcel Duchamp: Artist of the Century ” Marcel Duchamp’s Fountain: Its History and Aesthetics in the Context of 1917-William A. Camfield (1996): 64-90. William A. Camfield writes about Marcel Duchamp’s ‘Fountain’ as one of the most famous and equally infamous objects in the history of modern art.…

    • 1514 Words
    • 7 Pages
    Improved Essays
  • Improved Essays

    This movement was centered around dreams, imagination, irrational imagery, fantasy, and things that didn’t make sense, but were still beautiful in an artistic sense. This gave way to the expression of how people…

    • 1270 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    1940 Art Research Paper

    • 639 Words
    • 3 Pages

    1940’s Art “To us, art is an adventure into an unknown world of the imagination which is fancy-free and violently opposed to common sense. There is no such thing as a good painting about nothing. We assert that the subject is critical. ”(Campbell)…

    • 639 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    John Heartfield Essay

    • 649 Words
    • 3 Pages

    John Heartfield, born Helmut Herzfeld, founder of the German DADA group, was a leading pioneer of the photomontage which he used primarily to raise public consciousness and promote social change. According to Heartfield, his work simply disclosed the “truth” obscured by the mainstream press and by the propaganda of his political opponents. In pursuing this goal of unveiling, he often concentrated his efforts on photographs that had appeared in the illustrated press and has thus already played a role in shaping public perception. Heartfield essentially placed him before Germany’s visual culture like a prosecutor with scissors, doggedly slicing through images that asserted a reality he judged to be false. Appearing in magazine spreads, campaign posters, and book covers, his rebellious visions sought to reshape public perception by challenging the photographs that helped form it.…

    • 649 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Art is one of the most basic forms of expression there is. It has stood the test of time for thousands and thousands of years. Why? With every passing generation, we see new, creative minds emerging, full of new ideas and concepts. The human brain will never stop developing original thoughts and new, inventive ways to do old tasks.…

    • 630 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The piece La Mer by Claude Debussy drew much criticism in its early years. “I see no sea, I hear no sea, I feel no sea,” a Parisian critic remarked following the piece’s deplorable premiere. But over time, La Mer has matured into a classic, hailing today as one of the most famous seascapes ever composed. Inside Dallas’s own Meyerson Center, conductor Pablo Heras-Casado and the Dallas Symphony Orchestra command the group’s powerful volume and musical interpretation toward a phenomenal performance of the piece.…

    • 608 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Achille-Claude Debussy was born on the day of August 22, 1862 in Saint-Germain-en-Laye, France. He was the oldest of five children, and immediately showed an amazing artistic ability in music despite that his family had little money. He soon became a household name, traveling for inspiration for his music. He had many affairs, sometimes even working for the woman’s husband! He married twice, and had one child; he died of colon cancer in 1918 in Paris.…

    • 905 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    Marcel Duchamp a pioneer of Dada, a movement that questioned expectations about what art should look like or made. Duchamp found success in Paris as a painter but he was interested other ideas. Looking for a difference to represent objects, Duchamp began presenting objects as art. Duchamp selected mass produce that were commercially available, mostly utilitarian objects and he label them as art. Duchamp claim to have chosen everyday objects based of visual indifference by doing so, Duchamp build his way for Conceptual art.…

    • 259 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    “The 1960s were about releasing ourselves from conventional society and freeing Ourselves” said Yoko Ono, peace activist. People in the 60s felt they could express themselves and be the person they want to be. From this the 60s created a subculture called hippies. Hippies believed in freedom, peace, love, and people’s rights. Commonly, that is what people associate with this decade, but there’s much more to it than that.…

    • 907 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Marcel Duchamp, a revolutionary twentieth century artist, once said, “Alchemy is a kind of philosophy, a kind of thinking that leads to a way of understanding” (Duchamp). This quote is the simplest definition of alchemy. Alchemy is a concept that explains what is going on around us. More importantly, it provides an explanation for what we have always been told to believe. It dates back as far as the Renaissance period, and while similar to sciences, was not at first considered a science due to its mystical aspects.…

    • 1117 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    In her 2006 article “The Trouble with (the Term) Art”, Carolyn Dean argues that the using the word “art” for both past visual expressions (particularly nonwestern) does not quite capture the true definition of what these pieces are. This argument is valid, to consider these works as mere entertainment erases a culture’s true history and identity. Dean has a very strong argument for the analysis and retirement of the term “art”, however the ideas surrounding the concept of “art” explain the larger issue as a whole. Carolyn Dean argues that pinning the recent idea of “art” on nonwestern works does not inform one about the culture, but rather condenses that culture into easily defined novelties.…

    • 800 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Matisse Vs Conservatism

    • 758 Words
    • 4 Pages

    1) Why do you think critics labeled Matisse and other artists who made paintings in a similar style as Wild Beasts? Do you agree or disagree? Why? What do you think these "Fauvist" artists were trying to express?…

    • 758 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Charlottesville: A Durkheimian Perspective Introduction Emile Durkheim plays a pivotal role in the field of sociology. His innovative research paved the way to new theories that help us explain and understand the way society works. Durkheim is responsible for numerous contributions to the field of sociology, but is often known for his theories on collective conscience, solidarity, and anomie. Collective Conscience Collective conscience denotes the interest of the collective level of society (Emile Durkheim). Durkheim's theory on collective conscience refers to the “totality of beliefs and sentiments common to average citizens of the same society” that “forms a determinate system which has its own life” (Durkheim 38-39) or collective representations.…

    • 896 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    Instrument Destruction

    • 2508 Words
    • 11 Pages

    However when everyday life became the fear and destruction that was war, artists began to introduce new styles of art that used different medias and inspirations. Dada and Cubism were some of the movements that inspired this. Auto-destructive Art follows these techniques by taking everyday objects and damaging or destroying them, generally by causing damage, and then letting it destroy or damage itself the rest of the way using corrosion, stress or heat. In this way it echos Dada by rejecting old concepts in order to re-define them, and to also make a political statement. It also spawned the Destruction in Art symposium (DIAS), an important event in the history of destruction…

    • 2508 Words
    • 11 Pages
    Great Essays
  • Great Essays

    Bauhaus Essay

    • 1475 Words
    • 6 Pages

    The Bauhaus School of Design was founded in 1919 in the city of Weimar by Walter Gropius, a German architect. The Bauhaus school was created to combine the arts and crafts, technology and architecture disciplines to reach a common goal to unify creativity and the manufacturing objects, building and art. Walter Gropius decided to combine two of his schools, the Weimar Academy of Arts and the Weimar School of Arts and Crafts, into what he called the Bauhaus. He believed that by training the students in both fine art and design he would produce new artisans and designers who were gifted in creating useful and stunning objects. The instructors at the Bauhaus weren’t just teachers who loved art they were artists who were part of the German expressionism…

    • 1475 Words
    • 6 Pages
    Great Essays