As Kay Schaffer and Sidonie Smith remind as, narratives of human rights abuses are inherently shaped by the contexts of their production, circulation, and reception; they invite as to consider how modes of circulation impact upon the expectations of the teller, the structure of the story, and the mode of address to different kinds of audiences, as well as the ways in which context of reception direct and contain the ethical call of stories and their appeals for redress (6). Ondaatje’s Anil’s Ghost provide a snapshot of the changing political and culture context within which representation of disappearance have
As Kay Schaffer and Sidonie Smith remind as, narratives of human rights abuses are inherently shaped by the contexts of their production, circulation, and reception; they invite as to consider how modes of circulation impact upon the expectations of the teller, the structure of the story, and the mode of address to different kinds of audiences, as well as the ways in which context of reception direct and contain the ethical call of stories and their appeals for redress (6). Ondaatje’s Anil’s Ghost provide a snapshot of the changing political and culture context within which representation of disappearance have