Shakespeare’s “Lear” experiences an eventual recognition of his daughters; Goneril and Regan’s misuse of power upon himself, Gloucester and Cordeilla. This sense of recognition towards the evil which lies within his two daughters occurs as the sisters deny their father of retaining any horseman and further servants. Lear’s disbelief towards the betrayal he experiences forces him to curse Goneril and venture into a brewing storm, which is symbolic of the figurative “storm” that forms between characters within the play. Lear’s recognition of his daughters misuse of power is furthered as he discovers Regan’s treatment of his faithful servant Kent, The king view’s this as not only disrespectful to kent but to himself and with grief cries out “O, how this mother swells up toward my heart! / Hysterica Passio, down, thou climbing sorrow”. (Shakespeare’s; “King Lear” 2.4.54–55). In a parallel plot within Shakespeare’s “King Lear”, Gloucester and Edgar come to understand the abuse of power
Shakespeare’s “Lear” experiences an eventual recognition of his daughters; Goneril and Regan’s misuse of power upon himself, Gloucester and Cordeilla. This sense of recognition towards the evil which lies within his two daughters occurs as the sisters deny their father of retaining any horseman and further servants. Lear’s disbelief towards the betrayal he experiences forces him to curse Goneril and venture into a brewing storm, which is symbolic of the figurative “storm” that forms between characters within the play. Lear’s recognition of his daughters misuse of power is furthered as he discovers Regan’s treatment of his faithful servant Kent, The king view’s this as not only disrespectful to kent but to himself and with grief cries out “O, how this mother swells up toward my heart! / Hysterica Passio, down, thou climbing sorrow”. (Shakespeare’s; “King Lear” 2.4.54–55). In a parallel plot within Shakespeare’s “King Lear”, Gloucester and Edgar come to understand the abuse of power