Makhmalbaf, being a famous director and Sabzian, a low-class civilian, are together on a motorcycle. The desire of class mobility Sabzian had to undergo in order to be heard or in some way understood dealt with lies and being untruthful of who he really was. In “Kiarostami and the Aesthetics of Ghazal” it states, ‘…Kiarostami attempts to take the viewer away from the plain reality…to reveal the more complex inner journey of a human being…” (Sheibani, 36). Sabzian had to become someone he was not and by doing that he was invited into a home because of his “director title”. If it was known that he was an average man and not a famous director to the woman sitting on the bus next to him, he would have probably not been invited to visit their
Makhmalbaf, being a famous director and Sabzian, a low-class civilian, are together on a motorcycle. The desire of class mobility Sabzian had to undergo in order to be heard or in some way understood dealt with lies and being untruthful of who he really was. In “Kiarostami and the Aesthetics of Ghazal” it states, ‘…Kiarostami attempts to take the viewer away from the plain reality…to reveal the more complex inner journey of a human being…” (Sheibani, 36). Sabzian had to become someone he was not and by doing that he was invited into a home because of his “director title”. If it was known that he was an average man and not a famous director to the woman sitting on the bus next to him, he would have probably not been invited to visit their