Sagraves views the painting as “determinedly pacific and antiheirarchical,” with the “reconciliation of social class . . . reinforced by the gaze that the flâneur appears to cast in the direction of the leaning worker” (Fried 21). In other words, Sagraves suggests that the gaze of the flâneur toward the worker promises hope of reconciliation of class differences, as the flâneur is perhaps really seeing the worker for the first time. At a site where class differences were fought over, reconciliation is perhaps possible.
Yet, the ambiguity of the gaze of the flâneur problematizes the aforementioned interpretation of class reconciliation. The flâneur appears to look down at the worker in a critical, if not condescending manner. Moreover, the flâneur is leaning forward slightly, possibly indicating a slight aggressiveness. If Caillebotte meant to promise hope of class reconciliation as Sagraves suggests, the flâneur’s gaze would be less of a glare. Fried offers an interesting alternative explanation of the flâneur’s downward gaze. He interprets the