This is a simile because it uses like to compare Mr. Crouch to a skeleton when standing in the shadows. "A living room on wheels” is an example of metaphor since it compares the Beauxbaton carriage to a living room. The author also weaves a captivating story with just the right ingredients of suspense, adventure, and fantasy. Her characters are very real and identifiable. The story is written in the third person and takes us into a fantasy world in the Harry Potter series. This world is seen through the narrator's eyes; it is definitely a story. More emphasis is put on Harry and his three friends and Harry is present in the great majority of the scenes. Harry is the protagonist of the story, but the reader is looking in on the scene and, in fact, sees sometimes more than the main character sees. The narrator is the one who supplies the details that Harry does not really see. The reader sympathises well and has empathy for Harry and his friends' feelings, but cannot see the story totally from their point of view. However, Kristin Lemmerman of CNN said that it is not exactly a great piece of literature: 'Her prose has more in common with your typical beach-blanket fare and the beginning contained too much recap to introduce characters to new readers, although Rowling quickly gets back on track, introducing readers to a host of well-drawn new characters.’ Charles Taylor, on the contrary was generally positive about the change of
This is a simile because it uses like to compare Mr. Crouch to a skeleton when standing in the shadows. "A living room on wheels” is an example of metaphor since it compares the Beauxbaton carriage to a living room. The author also weaves a captivating story with just the right ingredients of suspense, adventure, and fantasy. Her characters are very real and identifiable. The story is written in the third person and takes us into a fantasy world in the Harry Potter series. This world is seen through the narrator's eyes; it is definitely a story. More emphasis is put on Harry and his three friends and Harry is present in the great majority of the scenes. Harry is the protagonist of the story, but the reader is looking in on the scene and, in fact, sees sometimes more than the main character sees. The narrator is the one who supplies the details that Harry does not really see. The reader sympathises well and has empathy for Harry and his friends' feelings, but cannot see the story totally from their point of view. However, Kristin Lemmerman of CNN said that it is not exactly a great piece of literature: 'Her prose has more in common with your typical beach-blanket fare and the beginning contained too much recap to introduce characters to new readers, although Rowling quickly gets back on track, introducing readers to a host of well-drawn new characters.’ Charles Taylor, on the contrary was generally positive about the change of