1. Franz Schubert's musical style is characterized by a rare unity. Schubert's tone, organic and unique, permeates all the works of the composer, and allows determining instantly their authorship. While reviewing some of the works it can be noted that the most important feature for all of them is their penetration, regardless of composition genre. In this work sonata in C-Minor, D. 958 is considered. Sonata reveals the lyrical content with frequent changes of musical mood. Schubert individualizes lyrical images, saturates them with subtle psychology. It is easy to say that this is a lyrical sonata, with the prevailing character of the narrative and thematic development and song thematic. Sudden flashes of drama interspersed with moments of focused contemplation, genre scenes - with ecstatic insights. There are a lot of great harmonic and timbre finds.
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With regard to Prokofiev’s etudes, almost all of them do not encompass sharp contrasts. The general character of the play is usually maintained from the beginning to the end. Each etude – is a single invoice, based on the development of certain melodic and rhythmic formulas. Each of etudes reveals its character. For example, the power of Four etudes, Op. 2 disclosed in its wide content. One laconic theme prevails throughout the etude. Etudes No. 1 in D Minor, No.2 in E minor, No.3 in C minor and No.4 in C minor passionate impulsive, rough, flexible, whimsical, full of antitheses and contrast images. Gentle thrill of harmonious trills suddenly gives way to a rapid flow of the music. The music of these etudes sounds like a thoughtful, sincere song. Simple one-color harmony and bass emphasize the flavor of
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With regard to Prokofiev’s etudes, almost all of them do not encompass sharp contrasts. The general character of the play is usually maintained from the beginning to the end. Each etude – is a single invoice, based on the development of certain melodic and rhythmic formulas. Each of etudes reveals its character. For example, the power of Four etudes, Op. 2 disclosed in its wide content. One laconic theme prevails throughout the etude. Etudes No. 1 in D Minor, No.2 in E minor, No.3 in C minor and No.4 in C minor passionate impulsive, rough, flexible, whimsical, full of antitheses and contrast images. Gentle thrill of harmonious trills suddenly gives way to a rapid flow of the music. The music of these etudes sounds like a thoughtful, sincere song. Simple one-color harmony and bass emphasize the flavor of