Francisco Larios
Larios practices painting, open-concept drawing, and the use of software to create two and three-dimensional visual environments. In his imaginary, the postmodern condition is fulfilled, in which contemporary culture is the starting point for the elaboration of scenes that show a return to sacred references, phil-osophical themes and immemorial fabulations. In Larios' work, the landscape is conceptually treated as the space in which sometimes studies of the dream, the link between the human being and his environment and the nature of the ob-jects are developed; And on other occasions as practices of graphic representa-tion of mathematical, physical and musical principles that start from the idea of the horizon as a dividing
Larios practices painting, open-concept drawing, and the use of software to create two and three-dimensional visual environments. In his imaginary, the postmodern condition is fulfilled, in which contemporary culture is the starting point for the elaboration of scenes that show a return to sacred references, phil-osophical themes and immemorial fabulations. In Larios' work, the landscape is conceptually treated as the space in which sometimes studies of the dream, the link between the human being and his environment and the nature of the ob-jects are developed; And on other occasions as practices of graphic representa-tion of mathematical, physical and musical principles that start from the idea of the horizon as a dividing