The end of Henry’s journey (as we see portrayed) in the novel comes with a final push against the enemy in a glorious charge. As Henry’s regiment charges at their antagonists, “The smoke, rolling, disclos[es] men who [run], their heads still turned,” (95). Where our protagonists are portrayed as valiant and staunch men of battle, their foe’s line breaks and they flee in cowardice. The “rolling smoke” discloses the true nature of these men, men who will scurry in the face of death -- and as they do so the physical embodiment of war flees with them. In this action, Crane is illustrating the delicate balance that combat has over the light (or lack thereof) in which those embroiled within it view both themselves and each other. An enemy obscured by smoke is an ambiguous and malevolent force, but once the cover of haze abandons them, they in turn flee. Thus, war’s enmity and chaos find physical embodiment in the ever present smoke looming over the
The end of Henry’s journey (as we see portrayed) in the novel comes with a final push against the enemy in a glorious charge. As Henry’s regiment charges at their antagonists, “The smoke, rolling, disclos[es] men who [run], their heads still turned,” (95). Where our protagonists are portrayed as valiant and staunch men of battle, their foe’s line breaks and they flee in cowardice. The “rolling smoke” discloses the true nature of these men, men who will scurry in the face of death -- and as they do so the physical embodiment of war flees with them. In this action, Crane is illustrating the delicate balance that combat has over the light (or lack thereof) in which those embroiled within it view both themselves and each other. An enemy obscured by smoke is an ambiguous and malevolent force, but once the cover of haze abandons them, they in turn flee. Thus, war’s enmity and chaos find physical embodiment in the ever present smoke looming over the