He created a radical abstract style of painting that fused cubism, surrealism, and expressionism. De Kooning’s pictures typified a vigorous gestural style of movement. “Woman I” depicted a female figure unlike anything seen in Western painting; she was aggressive, erotic, and threatening (see Appendix C). Her unnerving teeth and ferocious eyes were not those of the stereotypically submissive Cold War-era housewife, and she was created in part as a response to the idealized women in art history. Although rarely surviving his work, de Kooning applied magazine images of women’s smiles onto the mouth of his art. This use of popular media is in some way a precursor of pop art, which developed as a reaction against Abstract Expressionism. An art critic known as Harold Rosenberg once said, “At a certain moment the canvas began to appear to one American painter after another as an area in which to act. What was to go on the canvas was not a picture but an event.” Abstract expressionism resisted cohesive style but revealed an expressive content, which eventually opened the floodgates to the diversity and scope of all art that
He created a radical abstract style of painting that fused cubism, surrealism, and expressionism. De Kooning’s pictures typified a vigorous gestural style of movement. “Woman I” depicted a female figure unlike anything seen in Western painting; she was aggressive, erotic, and threatening (see Appendix C). Her unnerving teeth and ferocious eyes were not those of the stereotypically submissive Cold War-era housewife, and she was created in part as a response to the idealized women in art history. Although rarely surviving his work, de Kooning applied magazine images of women’s smiles onto the mouth of his art. This use of popular media is in some way a precursor of pop art, which developed as a reaction against Abstract Expressionism. An art critic known as Harold Rosenberg once said, “At a certain moment the canvas began to appear to one American painter after another as an area in which to act. What was to go on the canvas was not a picture but an event.” Abstract expressionism resisted cohesive style but revealed an expressive content, which eventually opened the floodgates to the diversity and scope of all art that