Zero Dark Thirty has an antagonist which the plot is centred around, there in only one antagonist and it is very obvious as to who it is. This allows her to form a plot line with a main climax occurring after a lengthy time of rising action. To find and kill Osama Bin Laden they had to track everything, this constant surveillance is an example of voyeurism. The climax occurs when Bin Laden is eventually found and killed, all the previous rising action led up to this and therefore a classic story line is created. Without a clear antagonist a significant point in the film is hard to create as seen in The Hurt Locker. Both of these films are directed by Bigelow but have a very different plot line which tests the expectations of the audience however they both are still focused on voyeurism as the main
Zero Dark Thirty has an antagonist which the plot is centred around, there in only one antagonist and it is very obvious as to who it is. This allows her to form a plot line with a main climax occurring after a lengthy time of rising action. To find and kill Osama Bin Laden they had to track everything, this constant surveillance is an example of voyeurism. The climax occurs when Bin Laden is eventually found and killed, all the previous rising action led up to this and therefore a classic story line is created. Without a clear antagonist a significant point in the film is hard to create as seen in The Hurt Locker. Both of these films are directed by Bigelow but have a very different plot line which tests the expectations of the audience however they both are still focused on voyeurism as the main