Like Buster Keaton, they both used physical comedy and performed whimsical stunts and tricks for the camera and big screen. He differs from Keaton in that he incorporates parts of his childhood into the films that he did, being born in London, especially in the film The Kid. For example, “street lamps are modelled on those in the London of his youth and the gas meter takes shillings rather than quarters” (Cousins, p. 72). Chaplin often incorporated emotional feeling into his performances, stimming from his childhood of living in an orphanage when he was young. Rather than just relying on comedy and humor, he seamlessly incorporated dramatic storytelling into his
Like Buster Keaton, they both used physical comedy and performed whimsical stunts and tricks for the camera and big screen. He differs from Keaton in that he incorporates parts of his childhood into the films that he did, being born in London, especially in the film The Kid. For example, “street lamps are modelled on those in the London of his youth and the gas meter takes shillings rather than quarters” (Cousins, p. 72). Chaplin often incorporated emotional feeling into his performances, stimming from his childhood of living in an orphanage when he was young. Rather than just relying on comedy and humor, he seamlessly incorporated dramatic storytelling into his