On the subject of identity, Do Ho Suh and Shirin Neshat have successfully made names for themselves in the art world by being individuals. I find their works to be intriguing which is why I chose to compare them in this essay. Do Ho Suh is most commonly known for his intricate sculptures that defy scale in public spaces. On the other hand, Shirin Neshat, is best known for translating Iranian political unrest through the artistic lens. Do Ho Suh, born in Korea, believes in living internationally (Robertson and McDaniel 64). He changes his location every so often to create new works of art. Although he is constantly moving around the world, his artistic identity is not lost throughout the process. It may pose a challenge because identity is
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In addition to being an Iranian artist, she is also a foreigner and an immigrant (Neshat et al. 11). Everything that she is, has helped to influence her unique artwork. Neshat’s artwork mainly focuses on what happened to Iranian national identity, specifically as it relates to women (Robertson and McDaniel 69). Through exploration of religion, culture, gender roles, politics and society, Neshat has accurately portrayed the identity of Muslim women throughout the world. Even more, all of her works are inspired by her personal experiences (Neshat et al. 11). Neshat’s art is noted by its graphic boldness and rousing imagery. Across the series Women of Allah, writing has made a prominent impact on the overall look. The photographed Muslim women, cloaked in black veils, have excerpts of Farsi poetry on different parts of their bodies. It communicates the lack of knowledge we have of other cultures. Viewers’ lack of knowledge, indicates the need for deeper understanding (Robertson and McDaniel 70). Her work has layered meanings: different meanings in different contexts. Therefore, making it more interesting to dissect. She has also created films and videos that have shown connections to her religion and culture. In addition to the women featured in her work, Neshat also considers herself an outsider in the world. Under that circumstance, she strives to show how these women are not understood in their own social standing
In addition to being an Iranian artist, she is also a foreigner and an immigrant (Neshat et al. 11). Everything that she is, has helped to influence her unique artwork. Neshat’s artwork mainly focuses on what happened to Iranian national identity, specifically as it relates to women (Robertson and McDaniel 69). Through exploration of religion, culture, gender roles, politics and society, Neshat has accurately portrayed the identity of Muslim women throughout the world. Even more, all of her works are inspired by her personal experiences (Neshat et al. 11). Neshat’s art is noted by its graphic boldness and rousing imagery. Across the series Women of Allah, writing has made a prominent impact on the overall look. The photographed Muslim women, cloaked in black veils, have excerpts of Farsi poetry on different parts of their bodies. It communicates the lack of knowledge we have of other cultures. Viewers’ lack of knowledge, indicates the need for deeper understanding (Robertson and McDaniel 70). Her work has layered meanings: different meanings in different contexts. Therefore, making it more interesting to dissect. She has also created films and videos that have shown connections to her religion and culture. In addition to the women featured in her work, Neshat also considers herself an outsider in the world. Under that circumstance, she strives to show how these women are not understood in their own social standing