“These are some of the more obvious "crimes of the heart" committed by the women of the Magrath family--crimes of passion, in a metaphorical sense at least, ranging from acts of physical violence to the petty offenses of jealousy or betrayal. But whereas we normally think of a crime of passion as an outwardly-directed act, resulting in the death or injury of either the loved one or the third party, one of the most striking features of the crimes in Henley's play is their self-destructive nature.” (Laughlin) To grasp the concept Henley added metaphorical reasoning’s to the overall aspect of “Crimes of the Heart” Lenny’s jealousy of her sisters, Meg’s selfishness, and Babe’s physical act towards her husband were all act that developed in the darker parts of their heart having it become their “crime” of the
“These are some of the more obvious "crimes of the heart" committed by the women of the Magrath family--crimes of passion, in a metaphorical sense at least, ranging from acts of physical violence to the petty offenses of jealousy or betrayal. But whereas we normally think of a crime of passion as an outwardly-directed act, resulting in the death or injury of either the loved one or the third party, one of the most striking features of the crimes in Henley's play is their self-destructive nature.” (Laughlin) To grasp the concept Henley added metaphorical reasoning’s to the overall aspect of “Crimes of the Heart” Lenny’s jealousy of her sisters, Meg’s selfishness, and Babe’s physical act towards her husband were all act that developed in the darker parts of their heart having it become their “crime” of the