While trying to find a way to escort the young girl back to safety, Raskolnikov has a sudden realization that said to have brought complete ‘revulsion’ over him. This word is used to describe his awareness that the sacrifice of his twenty kopecks would benefit no one except for the policeman who, in Raskolnikov’s words, will later take more money to turn a blind eye towards this crime.The word ‘revulsion’ implies loathing and repulsion, which portrays Raskolnikov’s disgust towards this demoralization. Dostoevsky also uses the word ‘wretched’ to depict the state of agony he’s come to, all because of his futile sacrifices and inability to help the girl. He soon pities the girl and envisions her ill-fated end. ‘Wretched’ is described as depression and hopelessness. Dostoevsky uses this word to describe Raskolnikov’s state of discouragement, due to his understanding that the girl was forever bound to misery until death. The diction used in this excerpt supports Raskolnikov’s complex
While trying to find a way to escort the young girl back to safety, Raskolnikov has a sudden realization that said to have brought complete ‘revulsion’ over him. This word is used to describe his awareness that the sacrifice of his twenty kopecks would benefit no one except for the policeman who, in Raskolnikov’s words, will later take more money to turn a blind eye towards this crime.The word ‘revulsion’ implies loathing and repulsion, which portrays Raskolnikov’s disgust towards this demoralization. Dostoevsky also uses the word ‘wretched’ to depict the state of agony he’s come to, all because of his futile sacrifices and inability to help the girl. He soon pities the girl and envisions her ill-fated end. ‘Wretched’ is described as depression and hopelessness. Dostoevsky uses this word to describe Raskolnikov’s state of discouragement, due to his understanding that the girl was forever bound to misery until death. The diction used in this excerpt supports Raskolnikov’s complex