While most use tragedy merely to describe any sort of disaster or misfortune, it more precisely refers to ‘a work of art that probes with high seriousness questions concerning the role of man in the universe’ (Conversi, 2015). However, more specific concepts are at play in King Lear. Originating from ancient Greece, tragedies come in many shapes and sizes, but are generally considered well defined by Aristotle:
‘The imitation of an action that is serious and also, as having magnitude, complete in itself; in language with pleasurable accessories […]; in a dramatic, not in a narrative form; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions’ (Cuddon, 2013,