Music these days is mostly associated with songs, people singing and a melody as an accompaniment. Many of the biggest composers in the history of music were in the classical and romantic era, where voices were rarely seen in a performance; almost every composition was instrumental. Through this method of expression they were capable of transmitting the mood and feelings of that particular time in history. An example of these master composers was Frederic Chopin, a Polish composer and virtuoso pianist who wrote primarily for the solo piano, one of the most important figures on instrumental music. His work is so important that it has gone through thousands of years, and yet, it is recognized as one of most valuable art work.
The compositions he wrote are extremely beautiful. The album “Chopin: Complete Works” released in …show more content…
This material rises in volume and intensity, but quickly recedes into splashes and gentle cascades of notes.
“Impromptu no.2 in F-Sharp major,” It is a beautiful piece very well balance, nothing seems to be loud or soft, and has a smooth flow of tones. The feelings of hope and joy are perfectly perceived from the music. The pleasant sound of it reminds me of one of the happiest moments in my life. “Ballade no.2 in F major op.38,” it begins as a simple idyll, the opening, gently rocking scene-setting phrases of a balladeer. At length a sudden violent part arises, full of impulsive, but sonorous chords in the bass. Despite this change of dynamic, the most memorable scenes of the piece are the soft and quiet sections, especially the peaceful conclusion; the opening theme bathed in melancholy and
The compositions he wrote are extremely beautiful. The album “Chopin: Complete Works” released in …show more content…
This material rises in volume and intensity, but quickly recedes into splashes and gentle cascades of notes.
“Impromptu no.2 in F-Sharp major,” It is a beautiful piece very well balance, nothing seems to be loud or soft, and has a smooth flow of tones. The feelings of hope and joy are perfectly perceived from the music. The pleasant sound of it reminds me of one of the happiest moments in my life. “Ballade no.2 in F major op.38,” it begins as a simple idyll, the opening, gently rocking scene-setting phrases of a balladeer. At length a sudden violent part arises, full of impulsive, but sonorous chords in the bass. Despite this change of dynamic, the most memorable scenes of the piece are the soft and quiet sections, especially the peaceful conclusion; the opening theme bathed in melancholy and