Guido d’Arezzo was an Italian Benedictine Monk born in France in the century year of 995. Guido was not a composer during this time, instead he was a musical therapist and teacher. Although he was not a composer, Guido made the discovery of a new form of music notation after moving to Italy where he also worked for Bishop Theobald, despite the fact that he was a music therapist and teacher ("GUIDO D'AREZZO"). With his new discovery, this method made it possible for composers to record their music on paper. Beforehand, singers and composers had to remember their own melodies and chants by memory, causing major differences within the music as they passed the music down generations ("GUIDO D'AREZZO").…
Donato di Niccolo di Betto Bardi, or better known as Donatello, was born in Florence, Italy around 1386 who studied with well-known sculptors who helped him to learn the Gothic Style. Even before he was 20, he became known for his work and went on as the greatest Florentine sculptor before Michelangelo and the most influential individual artist of the 15th century in Italy. Donatello used creative techniques combined with his amazing skills to create figures that incorporated not only a sense of realism, which showed the person’s emotional state using facial and body expressions, but also perspective - allowing a sculptor to create figures that occupied measurable space. His sculpture depicts the body of Jesus Christ being crucified at Calvary on the wooden cross, using perspective to show the size of Christ’s body in proportion to his cross. Donatello’s genius is shown in how life-like he created Jesus’s face and body; the beard, expression of death, and the way the body was hanging off the cross shows how…
Opera is considered one of the most complex art forms. It is a theatrical vocal- instrumental piece consisting of acts and scenes. It incorporates singing, acting, orchestral music, costumes, often ballet as a type of the dance, and scenery (libretto) which is 'the script' of an opera. Libretto can be written by a composer himself, or by poets and novelists. The most common way is an adaptation of the plays, novels or tales, such as libretto by Luigi Ilica and Guiseppe Giacosa which is based on the novel 'Scènes de la vie de bohème' by Louis- Henri Murger.…
The third classical form of classical vocal music is an oratorio. An oratorio is a large-scale composition using chorus, vocal soloists and orchestra. An oratorio usually is narrative text, but doesn’t use acting, scenery or costumes. An oratorio unfolds through a series of choruses, arias, duets, recitatives, and orchestral interludes. An example is George Frederick Handel’s “Hallelujah Chorus”.…
The issue of gender is very much present in nowadays musicological debates. Researchers present their different views on the topic, which may be opposing in some cases. Just like popular music influences our perception of gender, classical music is also one of the most important genres to consider when talking about gender representation. We can recognize several patterns of gender representation also in Monteverdi’s operas and connect them with the society on the turn from Renaissance to early modern era, when patriarchal conventions slowly started to lose their impact.…
For my first Vocal Performer report, I chose to review the classical tenor named Juan Diego Florez in his performance of the French opera La fille du regiment (The Daughter of the Regiment). Juan Diego was Juan Diego Flórez is a renowned operatic tenor that was born in Lima, Peru on January 13, 1973. Juan Diego studied at the Curtis Institute of Music where he is said to have developed the Bel Canto technique. Bel Canto is a term related to Italian singing and as well as a particular music style characterized by florid flowing lines performed by the vocalist. In order to properly understand Juan Diego Florez role in his performance is important to identify the characteristics of his voice type.…
Not so poor Erik “With that sob attached to the man I suspected when saying goodbye to him. Poor Erik! Poor Erik!” (Leroux 150) The Phantom of the Opera, a horror novel written by Gaston Leroux explores a forbidden love triangle between a young Swedish opera singer, a French viscount, and a mysterious man known only as “the opera ghost.”…
God has blessed these performers with beautiful voices and talents, and it was really nice to know that even though a big crowd wasn’t in the main Chapel to listen and applaud them , they all tried to put there all in it. This had shown the passion they have for what they are doing. For The lunch hour concert, musicians were a on a low energy which the few of us in the congregation was feeding off on.…
Rossini was an Italian bridge composer between the Romantic and Classical eras and a major influence in Italian opera during these periods. Additionally, he is characterized as one of the main composers in the Bel Canto period of opera. This period is defined as Italian text sung with beauty of vocal tone, virtuosity, and flowing musical phrases. Rossini’s opera, Maometto II, was first performed in Naples, Italy in 1820. It is a historical opera set in Venice in the year of 1476 when the Venetian colony succumbed to the Turkish forces.…
Laureta Stevenson Dr. Kyong Yoon CULT 101-001 Oct. 17th, 2016 Reinvention through Urbanization Nothing exists in a vacuum. You can’t invent something out of nothing, as can be applied to historical events. In two different articles, Inventing Opera as art in nineteenth-century Manchester and The Invention of the English Christmas, both written by John Storey, he explains a re-invention of a societal event (rather than the titles word of an invention). Both of the two subjects Storey is analyzing are social events in which the majority of the re-invention happened in the 19th century.…
Since ancient times, they have been divided by region, as each part of the country has had its own distinct culture. Therefore, if anything, they would brag about how their specific region has their own cultural differences. Historically, each region has spoken a completely different version of Italian, to the point where differences in accent are noticeable from town to town, let alone from Milan to Naples. (Gardaphe, 2004). When Italians immigrated to America, a new and foreign land, they lucidly came together as one.…
When most people hear the words “opera singer,” their mind conjures up images of bloated women, plunked down in the middle of a stage, illuminated by a spotlight, dressed in exotic costumes, and screaming at the top of the lungs in even more exotic languages. But frankly that stereotype could not be more wrong; I know that for a fact. If those stereotypes were right, then I would not be writing this paper. I love opera. I have been addicted to it for over five years now, and the fire that burns within me has no signs of burning out any time soon.…
The 2004 movie, The Phantom of the Opera, is based off the original 1986 musical that was produced by Andrew Lloyd Webber. The actual movie is also produced by Webber and is directed by Joel Schumacher. It was released in the United States in December of 2004 and has been a hit ever since. The musical is still very popular and is performed on stages across the world to this day. Each musical scene in The Phantom of the Opera is sung in opera, so one has to have a special talent to perform.…
The Medieval and Renaissance periods present two distinct cultures and worldviews in the human development. Unlike the Middle-Ages, several Renaissance scientists desired to learn about the earth apart from the idea of a Divine Creator, and philosophers brought in humanistic thinking. Innovations during this period like the gunpowder, telescope, microscope and the print press changed dramatically the people 's lifestyles and views of the world around them. Religion also varied greatly between these two eras. Reformation brought about turmoil during the Renaissance as opposed to the monastic life of the medieval period.…
Listening to a song is like watching the stars. Anytime a song is authentic and shines of its own light, it reverberates a sound that originated thousands of years ago into the present. When I first met Niccolò Castiglioni on March 13, 1993, in the concert hall “Puccini” of the Conservatory "G. Verdi" in Milan, the subject of our conversation was exactly this aspect of the language and its principles of permanence and resistance to change. On that afternoon, Gianpaolo Bisanti was conducting a small instrumental ensemble playing my first composition “Chiacchierio”, a first approach to a research that combines the study of harmony and of counterpoint, a precious knowledge that Bruno Zanolini transmitted to me.…