Avalokiteshvara Distinctively Visual Analysis Essay

Formal Analysis: Kannon (Avalokiteshvara) Kannon (Avalokiteshvara) is an Asuka period sculpture depicting the bodhisattva Avalokiteshvara. Avalokiteshvara is an enlightened being that aids others in their path to enlightenment through Buddhism. He is said to be the embodiment of compassion and the attendant bodhisattva to Amitabha, Buddha of the West. Kannon is an important figure in Japanese art. The stylistic aspects of this sculpture seem to be borrowed from earlier Chinese styles and depicts a merciful figure of extreme importance to the viewer. The medium of the sculpture is wood gilt with pigments and bronze. The reflective nature of bronze allows for the sculpture to somewhat glow in contrast to the dark wood in the temple where the …show more content…
The mouth is drawn up in a smile and the eyes opened in a relaxed manner. The body is open and the posture is relaxed and easily mimicked . The hands are clutching a jewel, which is an identifying feature of Avalokiteshvara. The body language expressed is welcoming to those observing the sculpture. Facial features identify the sculpture as a Bodhisattva. These include an urna, elongated ears, and the lotus shaped halo. The feet are shown resting on a lotus throne. The style of the figure appears to favor the Northern Wei style through the blocky facial shape, large nose, and happy expression. The shape of the halo and floral designs are also common in Northern Wei Buddhist figures. The folding of the drapery is also similar to Northern Wei style. It is very unnatural in the way that it lays and curves outward. It does not cling too tightly to the body that it exposes any flesh but still exposes the form of the body. The robe is fashioned to look like a traditional Chinese court robe. The artist focus seems more on the face and surrounding halo rather than the form of the body. These features suggest that the artist may be imitating Chinese works or the artist was brought in from