In the second stanza, the wall turns to grey, which represents confusion and haziness. Plath follows this description with the rhetorical question “Is there no way out of the mind?” The reader is now aware of a concrete setting, Plath’s mind, and understands that she wants to escape the depths of her mind, which consists of “sourness.” This shows that there are no positive thoughts within her mind, and also presents a depressing tone. In stanza three, the wall is now red, a color that symbolizes anger. Plath also describes “A red fist, opening and closing, two grey, papery bags.” The “red fist” is a heart, and the two bags are lungs. She is fearful about something, and the reader finds out that she fears “being wheeled off under crosses and rain of pieties.” During Plath’s life, she was given electroshock therapy to treat her depression, and the hospitals that provided this type of treatment was usually sponsored by churches, thus clarifying why she is so afraid of the religious images she recounts in the
In the second stanza, the wall turns to grey, which represents confusion and haziness. Plath follows this description with the rhetorical question “Is there no way out of the mind?” The reader is now aware of a concrete setting, Plath’s mind, and understands that she wants to escape the depths of her mind, which consists of “sourness.” This shows that there are no positive thoughts within her mind, and also presents a depressing tone. In stanza three, the wall is now red, a color that symbolizes anger. Plath also describes “A red fist, opening and closing, two grey, papery bags.” The “red fist” is a heart, and the two bags are lungs. She is fearful about something, and the reader finds out that she fears “being wheeled off under crosses and rain of pieties.” During Plath’s life, she was given electroshock therapy to treat her depression, and the hospitals that provided this type of treatment was usually sponsored by churches, thus clarifying why she is so afraid of the religious images she recounts in the