In 1905 Anna Pavlova made her breakthrough performance, she danced the lead solo in choreographer Michael Fokine's The Dying Swan, with music by Camille Saint-Saëns. With her subtle movements and intense facial expressions, Anna achieved to carry to the audience the play's complex message about the fragility and preciousness of life. The Dying Swan was to become Anna Pavlova's signature role. In 1930, Anna now being 50 years old, her 30-year dance career had come to bodily wear on her. She decided to take a Christmas vacation after wrapping up a mainly difficult tour in England. At the end of her vacation, she embarked a train back to The Hague, where she intended to resume dancing. On its way from Cannes to Paris, the train was in an accident. Anna was unharmed in the accident, but she was left waiting out the delay for 12 hours on the
In 1905 Anna Pavlova made her breakthrough performance, she danced the lead solo in choreographer Michael Fokine's The Dying Swan, with music by Camille Saint-Saëns. With her subtle movements and intense facial expressions, Anna achieved to carry to the audience the play's complex message about the fragility and preciousness of life. The Dying Swan was to become Anna Pavlova's signature role. In 1930, Anna now being 50 years old, her 30-year dance career had come to bodily wear on her. She decided to take a Christmas vacation after wrapping up a mainly difficult tour in England. At the end of her vacation, she embarked a train back to The Hague, where she intended to resume dancing. On its way from Cannes to Paris, the train was in an accident. Anna was unharmed in the accident, but she was left waiting out the delay for 12 hours on the