On page eighteen of Alan Moore and David Lloyd’s V for Vendetta, Moore and Lloyd use camera angle to draw attention towards the location of the books and V in order to suggest a connection between them. With this in mind, the camera angles utilized in panels, three, five, six, and seven are mostly medium shots, notably these chosen angles allow for the reader to see V in the foreground with the books in the background behind him. In like manner, panel five especially illustrates a connection between V and the books, since the authors have specifically chosen to use a close up shot showing V engaging in contact with the books, rather than the medium shots used where he is only shown standing in front of the books. The fact that a physical connection
