'2001: A Space Odyssey And The Sentinel'

Great Essays
“2001: A Space Odyssey” and “The Sentinel”
Compare / Contrast Paper
DeVry University
Sandy Palladino

Inside the pages of a book, authors can make phenomenal visual pictures of zones and scenes by using included and realistic words. Once in a while these pictures are moved into a real visual by the consequent formation of movies based upon these incredible works. "2001: A Space Odyssey" by Stanley Kubrick is a sample of, for example, it is based upon the artistic short story, "The Sentinel" by Arthur C. Clarke. Kubrick has made an incredible showing with creating the first short story by joining together music with visual pictures path before now is the ideal time. The film permits its viewers to see the first short story told by Clarke, innovatively extended and expounded upon in correlation with incredible subtle element.
"2001: A Space Odyssey" (1968) has been called, "The most tremendous vision without bounds,"
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Clarke expresses his visions with very detailed descriptions. For instance, the Mare Crisium is depicted as "The Sea of Crises" - the extraordinary walled plain, one of the finest on the moon, three hundred miles in breadth, and just about totally encompassed by a ring of radiant mountains” (Roberts, G.G., 2003). These specific unpretentious components give the peruser a point by point vision of what it is like on the moon. The depiction of the first sight of the outsider curio has been depicted as "a dimensionless purpose of light, as though a star had been torn from the sky by one of those remorseless tops, and I envisioned that some smooth rock surface was finding the daylight and heliographing it straight at me" (Roberts, G.G., 2003). Clarke has done an amazing job of giving his readers a clear vision and understanding which helps to secure the main theme of the

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